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  • Nick Cave has been singing about mortality for decades, and...

    Carl Court / Getty-AFP

    Nick Cave has been singing about mortality for decades, and he's really good at it. Whether the narratives are biblical or pulpy, the victims innocents or death row convicts, the circumstances comprehensible or cruelly random, Cave's songs are on intimate terms with the infinite ways a life can be extinguished. And yet, "Skeleton Tree", his latest album with his estimable band, the Bad Seeds, is a relatively concise song cycle shadowed by death that feels different than all the rest. Read the full review.

  • On "22, A Million," Justin Vernon reimagines his music from...

    AP

    On "22, A Million," Justin Vernon reimagines his music from the bottom up by letting technology — synthesizers, treated vocals, electronic sound effects — dictate. The songs retain their melancholy cast, but now must fight for air beneath static and noise. Read the full review.

  • Miley Cyrus attends Netflix's "A Very Murray Christmas" premiere in...

    Evan Agostini / AP

    Miley Cyrus attends Netflix's "A Very Murray Christmas" premiere in New York on Dec. 2, 2015.

  • The new album embraces her individuality more explicitly than ever,...

    Jean-Baptiste Lacroix, AFP/Getty Images

    The new album embraces her individuality more explicitly than ever, both more autobiographical and more politically and socially direct than anything she'd recorded previously. It's a rawer, less elaborate work than its predecessors, yet still hugely ambitious. Read the review

  • Kendrick Lamar's "Untitled, Unmastered" is presented as an unfinished work,...

    Matt Sayles/Invision/AP

    Kendrick Lamar's "Untitled, Unmastered" is presented as an unfinished work, though it rarely sounds like one. Read the review.

  • "Lemonade" is more than just a play for pop supremacy....

    Lawrence K. Ho / Los Angeles Times

    "Lemonade" is more than just a play for pop supremacy. It's the work of an artist who is trying to get to know herself better, for better or worse, and letting the listeners/viewers in on the sometimes brutal self-interrogation. Read the full review.

  • On her seventh studio album, "Golden Hour" (MCA Nashville), the...

    John Konstantaras / Chicago Tribune

    On her seventh studio album, "Golden Hour" (MCA Nashville), the singer-songwriter doesn't get hung up on genre. She's made a style-hopping pop album that infuses her songs with a relaxed spaciousness while muting, but not ignoring, her country roots. Read the review

  • Now "Schmilco" (dBpm Records) arrives, a product of the same...

    Nuccio DiNuzzo/Chicago Tribune

    Now "Schmilco" (dBpm Records) arrives, a product of the same recording sessions that produced "Star Wars" but a much different album. Though it's ostensibly quieter and less jarring than its predecessor, it presents its own radical take on the song-based, folk and country-tinged side of the band. Read the full review.

  • "Blonde" is a critique of materialism with Frank Ocean employing...

    Jordan Strauss / AP

    "Blonde" is a critique of materialism with Frank Ocean employing two distinct voices, like characters in a play, a recurring theme throughout the album and perhaps its finest sonic achievement. A party spirals out of control, the music rich but low key, a melange of organ and hovering synthesizers. Ocean uses distorting devices on his voice to add emotional texture and to enhance and sharpen the characters he briefly embodies. The upshot: They're all little slices of Ocean's personality with a role to play and they each sound distinct. Read the full review.

  • Warpaint's unerring feel for gauzy hooks and slinky arrangements germinated...

    Chris Sweda / Chicago Tribune

    Warpaint's unerring feel for gauzy hooks and slinky arrangements germinated over a decade and flourished on the quartet's excellent 2014 self-titled album. But the band has always nudged its arrangements onto the dance floor — subtly on record, more overtly on stage — and "Heads Up" (Rough Trade) gives the group's inner disco ball a few extra spins. Read the review.

  • A grown-up Christopher Robin returns to the Hundred Acre Wood...

    Laurie Sparham / AP

    A grown-up Christopher Robin returns to the Hundred Acre Wood and his best friend Winnie the Pooh. Read the review.

  • Not many albums could survive Ed Sheeran performing reggae, but...

    AP

    Not many albums could survive Ed Sheeran performing reggae, but Pharrell Williams always took chances — not all of them successful — in N.E.R.D.Despite the Sheeran gaffe, "No One Ever Really Dies," the band's first album in seven years, is a typically diverse, trippy ride from the group that established Williams' career as a performer in the early 2000s alongside Chad Hugo and Shay Haley. Read the full review.

  • An Atlanta teenager (Amandla Stenberg) deals with the death of...

    Erika Doss / AP

    An Atlanta teenager (Amandla Stenberg) deals with the death of her friend in "The Hate U Give," director George Tillman Jr.'s fine adaptation of the best-selling young adult novel.  Read the review.

  • Risk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his...

    Tobin Yelland / AP

    Risk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his angst with one of the local LA skateboarding idols, Ray (Na-Kel Smith), in writer-director Jonah Hill's "Mid90s." Read the review.

  • Reunited for a family wedding, former lovers played by Penelope...

    Teresa Isasi / AP

    Reunited for a family wedding, former lovers played by Penelope Cruz and Javier Bardem find themselves embroiled in a kidnapping in "Everybody Knows," directed by Asghar Farhadi. Read the review.

  • "Black America Again" (ARTium/Def Jam) arrives as a one of...

    Nuccio DiNuzzo / Chicago Tribune

    "Black America Again" (ARTium/Def Jam) arrives as a one of the year's most potent protest albums. The album sags midway through with a handful of lightweight love songs, but finishes with some of its most emotionally resounding tracks: the "Glory"-like plea for redemption "Rain" with Legend, the celebration of family that is "Little Chicago Boy," and the staggering "Letter to the Free." Read the review.

  • "Love & Hate" shows Kiwanuka breaking out of that stylistic...

    AP

    "Love & Hate" shows Kiwanuka breaking out of that stylistic box. His core remains intact: a grainy, world-weary voice contemplating troubled times in intimate musical settings. The album announces its more ambitious intentions from the outset, with the trembling strings, episodic piano chords and wordless vocals of the 10-minute "Cold Little Heart." It's a striking, if atypical, approach to reintroducing himself to his audience — a five-minute preamble before Kiwanuka begins to sing. Read the full review.

  • A tropical island boat captain (Matthew McConaughey) and his much-abused...

    Graham Bartholomew / AP

    A tropical island boat captain (Matthew McConaughey) and his much-abused ex-wife (Anne Hathaway) enter a vortex of rough justice and fancy riddles in "Serenity." Read the review.

  • Penniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe)...

    CBS Films/Lily Gavin

    Penniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe) regards his next canvas subject in "At Eternity's Gate," directed by visual artist and filmmaker Julian Schnabel. Read the review.

  • Isabelle Huppert and Chloe Grace Moretz star in the thriller...

    Jonathan Hession / AP

    Isabelle Huppert and Chloe Grace Moretz star in the thriller "Greta." Read the review.

  • Sound often says it all in Drake's world, but "Views"...

    Frank Gunn / The Canadian Press

    Sound often says it all in Drake's world, but "Views" plays in a narrow range. The trademark hovering synths and barely-there percussion edge out most of the hooks, in favor of long fades and enervated tempos that start to drag about halfway through this slow-moving album. Read the review.

  • Elton John (Taron Egerton) lays down a track for his...

    David Appleby / AP

    Elton John (Taron Egerton) lays down a track for his express train to super-stardom in "Rocketman." The musical biopic co-stars Jamie Bell as lyricist Bernie Taupin. Read the review.

  • Childhood friends and uneasy lovers played by Yoo Ah-in (left)...

    WellGo USA

    Childhood friends and uneasy lovers played by Yoo Ah-in (left) and Jeon Jong-seo (center) find their lives disrupted by a mysterious man of means (Steven Yeung, right) in "Burning." Read the review.

  • Vanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John...

    AP

    Vanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John C. Reilly) zip around the web in a mad dash to save Vanellope's arcade game, "Sugar Rush," in this wild sequel to the 2012 "Wreck-It Ralph." Read the review.

  • In contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy...

    Armando L. Sanchez / Chicago Tribune

    In contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy — a bubble-gum snyth-pop album that indulges Gonzalez's love of decades-old TV soundtracks, hair-metal guitar solos and kitschy pop songs. Read the full review.

  • Unburdened by Batman and Superman, the DC Comics realm turns...

    Steve Wilkie / AP

    Unburdened by Batman and Superman, the DC Comics realm turns in a not-bad origin story buoyed by Zachary Levi as the superhero version of 15-year-old Billy Batson (Asher Angel). Read the review.

  • Cystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole...

    Patti Perret/CBS Films

    Cystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole Sprouse) negotiate a tricky mutual attraction in "Five Feet Apart," directed by Justin Baldoni.  Read the review.

  • Stephan James and KiKi Layne play Fonny and Tish, expectant...

    Tatum Mangus / AP

    Stephan James and KiKi Layne play Fonny and Tish, expectant parents in 1970s Harlem in the new James Baldwin adaptation "If Beale Street Could Talk."  Read the review.

  • This image released by Fox Searchlight Films shows Olivia Colman...

    Atsushi Nishijima / AP

    This image released by Fox Searchlight Films shows Olivia Colman in a scene from the film "The Favourite." (Atsushi Nishijima/Fox Searchlight Films via AP)

  • "Everything Now" is a tighter but not better album. The...

    AP

    "Everything Now" is a tighter but not better album. The heavyweight arena anthems of Arcade Fire's 2004 debut, "Funeral," are long gone, replaced by brooding lyrics encased in lighter music. Read the review.

  • "American Dream" is a breakup album of sorts but not...

    Chris Sweda / Chicago Tribune

    "American Dream" is a breakup album of sorts but not in the traditional sense. This is about breakups with youth, the past, and the heroes and villains that populated it. It underlines the notion of breaking up as just a step away from letting go — of friends, family, relevance. Read the review.

  • A high-powered ad agency executive (Tika Sumpter, right) takes in...

    Chip Bergmann / AP

    A high-powered ad agency executive (Tika Sumpter, right) takes in her ex-con sister (Tiffany Haddish, center) in "Nobody's Fool."  Read the review.

  • Washington D.C. power brokers Dick Cheney (Christian Bale) and Lynne...

    Matt Kennedy / AP

    Washington D.C. power brokers Dick Cheney (Christian Bale) and Lynne Cheney have a date with destiny in Adam McKay's "Vice," co-starring Steve Carell as Donald Rumsfeld.  Read the review. Nomainted for: Best Picture, Best Actor for Christian Bale, Best Supporting Actor for Sam Rockwell, Best Supporting Actress for Amy Adams, Best Director for Adam McKay, Best Original Screenplay, Best Film Editing,

  • "Ye" isn't so much a musical statement as a 23-minute,...

    Chris Sweda / Chicago Tribune

    "Ye" isn't so much a musical statement as a 23-minute, seven-track therapy session. Read the review

  • Queen Anne's (Olivia Colman) court wrestles with the question of...

    Atsushi Nishijima / AP

    Queen Anne's (Olivia Colman) court wrestles with the question of how to finance a war with France. Lady Sarah (Rachel Weisz), the Duchess of Marlborough, uses her wits, her body and the queen's bed to coerce Anne into raising taxes on the citizenry in order to keep the off-screen battle going. Then the unexpected arrival of her country cousin, Abigail (Emma Stone), a noblewoman fallen on hard times. A dab hand with medicinal herbs, Abigail quickly rises above servant status to become the queen's new favorite. Game on! Read the review. Nomainted for: Best Picture, Best Actress for Olivia Colman, Best Supporting Actress for Emma Stone and Rachel Weisz, Best Director for Yorgos Lanthimos, Best Original Screenplay, Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design,

  • "Peace Trail" — Neil Young's second album this year and...

    AP

    "Peace Trail" — Neil Young's second album this year and sixth since 2014 — is occasionally fascinating. It's also not very good, a release that surely would've benefited from a bit more time and consideration, which might have given Young's ad hoc band — drummer Jim Keltner and bassist Paul Bushnell — a chance to actually learn the songs. But the four-day recording session sounds like a getting-to-know-you warmup instead of a finished product. Read the full review.

  • Genie (Will Smith, right) explains the three-wishes thing to the...

    Daniel Smith / AP

    Genie (Will Smith, right) explains the three-wishes thing to the title character (Mena Massoud) in Disney's "Aladdin," director Guy Ritchie's live-action remake of the 1992 animated feature. Read the review.

  • On their new album, "Existentialism," the Mekons turn their audience...

    Armando L. Sanchez / Chicago Tribune

    On their new album, "Existentialism," the Mekons turn their audience and the recording space into accomplices for the band's high-wire act. Read the full review.

  • Capping the trilogy started with "Unbreakable" (2000) and the surprise...

    Jessica Kourkounis / AP

    Capping the trilogy started with "Unbreakable" (2000) and the surprise hit "Split (2017), Shymalan's treatise on superhero origin stories brings James McAvoy, Bruce Willis and Samuel L. Jackson together for a plodding psych-hospital escape.  Read the review.

  • The real stars of "Godzilla: King of the Monsters" are...

    AP

    The real stars of "Godzilla: King of the Monsters" are sound designers Erik Aadahl and Ethan Van Der Ryn. Their aural creature designs actually sound like something new — part machine, part prehistoric whatzit.  Read the review.

  • In "First Man," Ryan Gosling reteams with "La La Land"...

    Daniel McFadden / AP

    In "First Man," Ryan Gosling reteams with "La La Land" director Damien Chazelle to relay the story of astronaut Neil Armstrong, the first man on the moon. Read the review.

  • On "Here" (Merge), the band's first album in six years...

    Ross Gilmore / Redferns via Getty Images

    On "Here" (Merge), the band's first album in six years and 10th overall, the front line of Norman Blake, Gerard Love and Raymond McGinley once again trades songs (four each) and lead vocals, over sturdily constructed pop-rock arrangements. But the band has taken some subtle evolutionary turns to where it's now a faint shadow of its "Bandwagonesque" incarnation. Read the review.

  • When Aretha Franklin recorded her bestselling gospel album in early...

    AP

    When Aretha Franklin recorded her bestselling gospel album in early 1972, director Sydney Pollack's camera crew shot many hours of footage, unseen publicly until now. "Amazing Grace" is now in theaters.  Read the review.

  • Kanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like...

    NBC

    Kanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like a work in progress rather than a finished album. It's a mess, more a series of marketing opportunities in which West changed the album title and the track listing multiple times, to the point where the very thing that made West tolerable despite a penchant for tripping over his own ego — the music itself — became anti-climactic. Read the review.

  • Six miles beneath the Pacific Ocean surface, a team of...

    AP

    Six miles beneath the Pacific Ocean surface, a team of oceanographers and experts discover an entire hidden ecosystem laden with species "completely unknown to science." But Meg comes calling, attacking the submersible piloted by the ex-wife (Jessica McNamee) of rescue diver Jonas Taylor (Jason Statham). Read the review.

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If a celebrity doesn’t walk a red carpet, are they still a celebrity?

In the next phase of her career, that’s the bold question Miley Cyrus will face after her unprecedented vow to “never do a red carpet again.”

With Hollywood’s awards season kicking off at Sunday’s Primetime Emmys, will other celebs sidestep the frenzy and follow Cyrus off the carpet? In show business, such a daring declaration could have implications beyond what’s beneath those designer heels.

In recent years, media shenanigans on red carpets have prompted push-back from such A-listers as Julianne Moore, Reese Witherspoon and Jennifer Aniston.

Last awards season, they opted against sticking their well-manicured and bejeweled hands in front of E!’s “mani-cam,” while younger actresses like Jena Malone and Elizabeth Moss publicly mocked the paw parade.

Cyrus last appearance on a red carpet was back in December at the premiere of the Netflix film “A Very Murray Christmas.” Cyrus ominously captioned an Instagram photo of herself posing on it: “(hashtag)mylastredcarpet4eva.” Apparently, she meant it.

“I had to do the premiere, and I will never do a red carpet again,” the singer-actress said in the October issue of Elle magazine , out Wednesday. “Why, when people are starving, am I on a carpet that’s red? Because I’m ‘important’? Because I’m ‘famous’? That’s not how I roll. It’s like a skit — it’s like ‘Zoolander.'”

MOST READ ENTERTAINMENT NEWS THIS HOUR

Stacy Jones, president of entertainment marketing agency Hollywood Branded , said stars who shun the red carpet lose fame and fortune. She expects Cyrus, who is appearing as a coach on the latest season of the NBC singing competition “The Voice” and starring in the upcoming Amazon series “Crisis in Six Scenes,” will likely miss out on future roles and deals because of her decision.

“It’s part of the job,” said Jones. “In today’s world, when you sign up to be a celebrity, you’re singing up to be in the limelight. You’re going to be in gossip columns and have paparazzi follow you. You will have fans idolize you. It’s damaging to your career and people you work with to say you won’t be part of the glitz and glamour that comes along with the job.”

Over the past nine decades, the red carpet has transformed from simply serving as an elegant entrance to Hollywood premieres and ceremonies into a publicity-generating business where celebrities are expected — and often paid — to pose in front of logos and be probed by the media.

Now, it’s not just about flashing smiles for photographers and answering the clichéd question, “Who are you wearing?” On today’s red carpets, awareness is raised and brands are built.

Jones said she once worked with a company that sponsored a premiere party at the Toronto International Film Festival where the film’s star refused to walk down or pose on the red carpet. The company decided that night to pass him over for a seven-figure deal to support his music project.

“Miley has worked so hard to get where she is in celebritydom,” said Jones. “It doesn’t make sense that she would give up any chance in the spotlight to at least support the projects and causes she cares about in her life.”

While many celebs control when they’ll appear, how they’ll look and who they’ll talk to on red carpets, it’s virtually unheard of for a star to publicly announce a complete boycott of the long-established practice, according to Bonnie Fuller, editor-in-chief of celebrity site HollywoodLife.com.

“I don’t think this is going to set off a trend,” said Fuller. “It’s integral to the promotional aspect of being a celebrity to do red carpets. It’s usually part of a contract.”

Fuller noted the anti-carpet stance is in itself part of building Cyrus’ brand. The performer has spent the past five years shedding her wholesome “Hannah Montana” reputation in favor of a wild child image.

“At the end of the day, Miley is still 23,” said Fuller. “She’s got a long career ahead of her. She could have a change of heart. In the meantime, we’ll respect the choices she’s making right now.”

Associated Press

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