— Christopher Knight
It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973; Part 1: Hal Glicksman, Pomona College Museum of Art
With no art museum infrastructure to speak of in postwar L.A., schools were critical venues for showing new art. Pomona College, where Jose Clemente Orozco had painted the first major Modern U.S. fresco in 1930, was unusually active. This is the first of a three-part show, focusing on the school's ambitious curatorial programs, continuing into 2012.
Asco: Elite of the Obscure, A Retrospective, 1972-1987, LACMA
In the Mexican mural tradition, public walls "spoke" about public issues. The rambunctious Chicano collective Asco (Gronk, Patssi Valdez, Harry Gamboa Jr., Willie Herrón and Humberto Sandoval) went one better by occasionally taping its stylish members to urban walls. There they became part living-graffiti, part flailing image of Latino social marginalization and individual bondage.
Beatrice Wood: Career Woman — Drawings, Paintings, Vessels and Objects, Santa Monica Museum of Art
Beatrice Wood (1893-1998), rebellious daughter of wealthy San Francisco socialites, was dubbed the "Mama of Dada" for her close, life-long relationship to anti-artist Marcel Duchamp. A failed actress, minor artist and major studio potter (in Ojai), she aptly titled her 1985 autobiography "I Shock Myself."
Sept. 25: Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego
Sometimes regarded as L.A.'s unique contribution to contemporary art in the '60s and '70s, Light & Space art focuses on the viewer's bodily consciousness of perception. Works by Larry Bell, Mary Corse, Robert Irwin, Bruce Nauman, James Turrell and Doug Wheeler will be on view.
Sept. 28: Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design, MAK Center at the Schindler House
Esther McCoy (1904-1989) was one of the 20th century's greatest architecture critics and historians, a writer of insightful clarity and fierce social commitment no doubt honed by her work as a researcher for Theodore Dreiser and, later, as an architectural draftsman. Green & Green, Irving Gill, Bernard Maybeck, Rudolf Schindler and Richard Neutra were among the architects whose work she championed and illuminated.
Oct. 1: California Design, 1930-1965: 'Living in a Modern Way,' LACMA
Say "Midcentury Modern" and you're saying L.A. design, as World War II technologies were put to peace-time use, often inflected by postwar optimism and fueled by the city's phenomenal growth. (Its population more than doubled during the show's time-frame.) Prediction: Many of the 350 objects will look up-to-the-minute.
Oct. 1: Speaking in Tongues: The Art of Wallace Berman and Robert Heinecken, Armory Center for the Arts, Pasadena
A potential sleeper, the show provocatively juxtaposes the mystically inclined camera-based imagery of the great Beat generation artist Wallace Berman (1926-1976) with the politically astute, mass-media-savvy photo collages of Robert Heinecken (1931-2006).
Oct. 1: Seismic Shift: Lewis Baltz, Joe Deal and California Landscape Photography, 1944-1984, California Museum of Photography, UC Riverside