Story | Feb 19, 2013 | 3:50 PM
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Story | Mar 15, 2013 | 7:05 AMAUSTIN, Texas -- At South by Southwest, most musicians don't get the luxury of privacy during soundchecks. Preparing for their set early Thursday afternoon at a Pitchfork showcase, the members of L.A.'s Rhye tuned up their instruments in full view of the several hundred hipsters making their way into a warehouse space east of Interstate 35. And with keyboard, bass, drums, violin, cello, trombone and vocals, the group took its time doing it too; even after the show began, frontman Mike Milosh kept making adjustments.
Story | Oct 1, 2011
Peter Apfelbaum is connected to to a mind-bogglingly far-flung array of musicians and ensembles otherwise connected only by a promiscuous disregard for genre conventions.
Story | Oct 13, 2011
Conceptual albums, like pigs, come in many sizes. A lot of the former have been bloated by prog-rock pretense, the latter by factory farming and intentional overfeeding. On “One Pig,” British electronic composer and sound sculptor Matthew...
Story | Oct 12, 2011
Led by saxophonist Chris Speed and the manic excursions of drummer Jim Black, Endangered Blood nods toward jazz's past while taking it into a rambunctious future.