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Olivier Gourmet

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  • Venice Film Review: '40-Love'

    The English-language title "40-Love" hints that Stephane Demoustier's misleadingly low-key thriller will eventually steer its way into high-stakes tennis matches, though going in, you'd never guess how the tale unfolds, unless perhaps you know the news report on which it's based. , while revealing new psychological layers nearly every quarter-hour. It's an imperfect debut but a remarkable one nonetheless, liable to bore sensation seekers, while tipping an impressive new talent toward more subtlety-oriented fest auds.
  • Cannes 2013: A very French celebration

    Cannes 2013: A very French celebration
    CANNES, France -- The audiences at the Cannes Film Festival, if they are so moved, really know how to do things right when it comes to recognizing new film talent. This was the case in spades with the Saturday morning premier of Rebecca Zlotowski’...

    Godard's 3-D feature just one Cannes offering to anticipate

    Godard's 3-D feature just one Cannes offering to anticipate
    Thursday in Paris, with two or three additions to the main competition likely still to come, Cannes Film Festival director Thierry Fremaux announced the selections for the 67th edition of the world's premier collision of cinematic art, naked commerce...

    Movie Review: Mesrine, Public Enemy No. 1

     
    Jean-Francois Richet's two-part chronicle of the gangster Jacques Mesrine is framed within the “Bonnie & Clyde” hail of bullets that ended the notorious gangster's life. that's how part one, “Killer Instinct,” of this two part...