Story | Aug 26, 2014 | 3:00 PM
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Column | Sep 7, 2014 | 9:53 AMBernie Yvon was a song-and-dance man of the old school. Since he also was a disarmingly sophisticated actor — one need only have seen his Max last year in "Cabaret" or watched his younger self explore Harry Houdini in the first national tour of "Ragtime" to see that — the theater term "triple threat" also applied. The term means one who can sing, dance and act. Yvon mastered all three of those skills, and employed them night after night, in a formidable career spanning three decades of work in the Chicago theater.
Story | Jul 19, 2014 | 6:32 AM
Story | Jul 29, 2014 | 12:30 PM
When director Richard Linklater tapped Sandra Adair to collaborate on "Boyhood," he asked his longtime editor what she planned to be doing for the next decade or so. That expansive query kicked off one of the most daring experiments in film history: a...
Story | Jun 25, 2014 | 12:30 PM
Fittingly enough for a film about a long, unhurried process of discovery, it wasn't until near the wrap of production that Richard Linklater decided he would call his 16th feature "Boyhood." That was in the summer of 2013, more than a decade after he...