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Atonement (movie)

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Top Atonement (movie) Articles see all

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  • 'Third Person' at the mercy of a mix of emotions, stories

    "Third Person," the latest interlocking puzzle from Paul Haggis, is about love. But it's not a soft and fuzzy sort of love. As Leona Lewis put it in the pop hit a few years ago, it's the "you cut me open and I keep bleeding, keep keep bleeding" sort. Haggis uses a double-edged sword — and a relatively blunt one at that — to hack away at it.
  • For a monster, 'Godzilla' plays it a little too cool

    It's the big lizard, stupid. I say that because someone's clearly lost sight of the obvious when the no-name monsters get more screen time in "Godzilla" than the main attraction. Forgotten is the primary reason we show up in such massive numbers —...

    'The Deep Blue Sea': Hushed, deft adaptation resonates ✭✭✭ 1/2

    'The Deep Blue Sea': Hushed, deft adaptation resonates ✭✭✭ 1/2
    The Liverpool-bred writer-director Terence Davies is best known for deeply felt, meticulously controlled reveries "The Long Day Closes" and "Distant Voices, Still Lives" and the gorgeous personal essay "Of Time and the City." Now 66, he sees the past...

    'Anna Karenina' review: Love in the time of the English posing as Russians

    'Anna Karenina' review: Love in the time of the English posing as Russians
    **1/2 (out of four) The last time director Joe Wright (“Atonement,” “Hanna”) teamed with Keira Knightley on an adaptation of classic literature (“Pride and Prejudice”), she scored a Best Actress Oscar nod. Not going...

    Joe Wright's version of Tolstoy classic 'Anna Karenina' a hit-or-miss proposition ★★ 1/2

    Joe Wright's version of Tolstoy classic 'Anna Karenina' a hit-or-miss proposition ★★ 1/2
    Like most alleged love-it-or-hate-it propositions, the new film version of "Anna Karenina" is neither. Rather, it's a half-success — a baldly conceptual response to the Leo Tolstoy novel, with a heavy theatrical framework placed around the narrative...