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Eduardo Noriega

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  • Berlin Film Review: 'Beauty and the Beast'

    "I use antlers in all of my decorating," sang Gaston, the lunkish villain of Disney's 1991 "Beauty and the Beast," in a self-titled ode to macho excess. He'd no doubt have approved of Christophe Gans's garishly mounted, emotionally vacant and, yes, lavishly antler-strewn interpretation of the evergreen fairytale, though it's hard to see many others being similarly satisfied. Borrowing piecemeal from manifold tellings of the 18th-century chestnut -- from de Beaumont to Disney, via Cocteau -- but cut from the same CGI-enhanced cloth as 2012′s "Snow White and the Huntsman," this busy update plays up the sword-swishing action while playing down the Gothic romance, with no clear audience in mind. With stars Lea Seydoux and Vincent Cassel given little to do but admire the scenery, the pic is nothing if not a robust showcase for the world-class work of European visual effects houses; whether it warrants a look in other territories remains to be seen.
  • Advantage: Miami International Film Festival

    Advantage: Miami International Film Festival
    As they filmed a certain pair of Palm Beach Gardens tennis champions for their documentary "Venus and Serena," co-directors Maiken Baird and Michelle Major were granted unfettered access to the sisters' private and often-chaotic lives, which included no...

    Guillermo del Toro on ‘Pacific Rim,’ ‘Monster,’ ‘Justice League Dark’

     
    Any public appearance by Guillermo del Toro is a buffet of goodies for fans of monsters, robots and things that […]

    Fall Sneaks list

    Fall Sneaks list
    SEPT. 9 All's Faire in Love A college football star has to make up for his many absences by working at a Renaissance fair, where he falls for an aspiring actress. With Christina Ricci, Owen Benjamin, Cedric the Entertainer and Matthew Lillard. Written...

    'Blackthorn': Butch Cassidy rides again -- 2 1/2 stars

    'Blackthorn': Butch Cassidy rides again -- 2 1/2 stars
    In the opening scenes of "Blackthorn," the old desperado who gives this mostly satisfying Western its name is bent over a letter, writing of coming back home to the U.S. Though he's grown gray he remains split-rail hard, suffers no fools, and he's...