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It wasn't long, but it sure felt that way

We can't help but think the night's resurrected interpretive dance sequence served no purpose other than dragging out an already-exhausting show and making producer Adam Shankman happy. (OK, and it also reminded us that Hans Zimmer's score for "Sherlock Holmes" was the best and only good thing about the Guy Ritchie version.) Robert Gauthier / Los Angeles Times