Movie Reviews

Movie Reviews

Read the latest film reviews, the most recent releases at the top.

 'Terminator Genisys' review: Rooting for the apocalypse

9:00 AM EDT, June 30, 2015

Michael Phillips: 'Terminator Genisys' review: Rooting for the apocalypse

Humanity gets a do-over in "Terminator Genisys," the fifth in the franchise begun in 1984 with "The Terminator." But this screwy revision of the previous "Terminator" movies is so muddled and yakky, you may find yourself rooting for the apocalypse. At one point Arnold Schwarzenegger is thrown through a wall into a Pepsi Max vending machine (if the rise of the machines means the fall of product placement, I'm all for it), and for a second I was pulling for a slugfest between the former bodybuilder and the Pepsi dispenser. Just to see who'd win.

 'Magic Mike XXL' review: The complete package

2:30 PM EDT, June 29, 2015

Michael Phillips: 'Magic Mike XXL' review: The complete package

"Magic Mike XXL" comes up a little short compared with the original, director Steven Soderbergh's blithe and bonny Channing Tatum showcase inspired by Tatum's salad days as a male stripper. This time the jokes are heavier, more on-the-nose, though a surprising percentage of them work anyway.

'The Overnight' review: Wedded bliss put to the test

4:47 PM EDT, June 25, 2015

Michael Phillips: 'The Overnight' review: Wedded bliss put to the test

Alex has an inferiority complex. His appendage is on the smaller end of the spectrum, and at a key, comically awkward moment in "The Overnight," this newcomer to LA played by Adam Scott sizes up what his new friend Kurt (Jason Schwartzman) has to offer. In a couple of key, highly amusing shots the actors flourish prosthetic genitalia. The effect is comic yet plausible; Scott and Schwartzman seem weirdly liberated by their fake equipment.

'Aloft' review: A doleful downer

12:12 PM EDT, May 21, 2015

'Aloft' review: A doleful downer

Director Claudia Llosa expands her preoccupations with mysticism and superstition in the modern world, working her way up from a medieval-minded Andean village in "Madeinusa" (2006) to faith healing at the frigid far reaches of the Arctic Circle with "Aloft." But this time, instead of seeming plugged into some primitive native religion, the Peruvian director invents a rickety belief system as a pretext for tearing it all down, botching the telling of a more satisfying character-based story in the process.

'Max' review: A darned good dog, a passable dog movie

June 26, 2015

'Max' review: A darned good dog, a passable dog movie

"Semper fidelis," the Romans used to purr into their dogs' ears, long before the Marine Corps adopted the Latin for "Always faithful" as their motto.

3:13 PM EDT, June 25, 2015

'A Little Chaos' review: Garden variety costume drama

"A Little Chaos" is all too tidy as it imposes a predictable, pat modern sensibility on a most unconvincing depiction of late 17th-century French aristocratic life, with Kate Winslet starring as a green-thumbed widow hired to design part of the gardens at Versailles for Alan Rickman's Louis XIV. Rickman's first directorial effort since 1997's "The Winter Guest" is a formulaic, broadly drawn historical fiction that won't be an awards magnet but could appeal to older audiences as costume-drama comfort food.

'Ted 2' review: More of the same bawdy bear

7:00 AM EDT, June 24, 2015

Michael Phillips: 'Ted 2' review: More of the same bawdy bear

"Ted 2" reunites Mark Wahlberg’s insecure wallflower character (it's called acting, folks) with the chubby little cubby all stuffed with fluff and racial, sexual, scatological and '80s-reference insults voiced, with movie-saving acumen, by co-writer and director Seth MacFarlane.

'Me and Earl and the Dying Girl' review: Tender, humorous romance

12:08 PM EDT, June 10, 2015

Michael Phillips: 'Me and Earl and the Dying Girl' review: Tender, humorous romance

The big noise from this year's Sundance Film Festival, "Me and Earl and the Dying Girl," is a weaselly liar of a movie. It comes on full of self-deprecating bluster, professing no interest in jerking tears a la "The Fault in Our Stars," as it lays out its tale of a Pittsburgh high school senior's friendship with a fellow classmate diagnosed with cancer.

3:45 PM EDT, June 16, 2015

Michael Phillips: 'Inside Out' review: Best Disney-Pixar film since 'Up'

Director Pete Docter's "Inside Out" springs from a single, terrific idea. What if a person's basic emotions were tiny humanoid sprites sharing a command center, a spacious variation on the one in the starship Enterprise but inside the human brain?

'Dope' review: A teen's no-good, very bad but finally excellent day

11:51 AM EDT, June 18, 2015

Michael Phillips: 'Dope' review: A teen's no-good, very bad but finally excellent day

It sounds clueless and blinkered to compare the vibrant new comedy "Dope," set in multicultural Inglewood southwest of LA, to the extremely white 1983 film "Risky Business."

Film Review: 'Gemma Bovery' -- an adaptation of an adaptation

4:54 AM EDT, May 31, 2015

Film Review: 'Gemma Bovery' -- an adaptation of an adaptation

Amid all the graphic novel adaptations about superheroes, here comes “Gemma Bovery” (based on Posy Simmonds’ graphic novel of the same name), whose hero is anything but super.

'Felix and Meira' finds small freedom in a repressive landscape

7:30 PM EDT, April 23, 2015

'Felix and Meira' finds small freedom in a repressive landscape

Co-writer and director Maxime Giroux's "Felix and Meira" is an unusual love story that, though shrouded in chill and shadow, has moments of true loveliness.

 'Jurassic World' review: Reptile dysfunction

11:05 AM EDT, June 10, 2015

Michael Phillips: 'Jurassic World' review: Reptile dysfunction

Bailed out by a few good jolts, "Jurassic World" gets by, barely, as a marauding-dinosaurs narrative designed for a more jaded audience than the one "Jurassic Park" conquered back in 1993.

'Spy' review: Melissa McCarthy goes the full Bond

June 4, 2015

Michael Phillips: 'Spy' review: Melissa McCarthy goes the full Bond

Last year, in the Bill Murray vehicle "St. Vincent," Melissa McCarthy did something she'd never done before in the movies. She did less.

'Love & Mercy' review: Brian Wilson biopic sings

11:09 PM EDT, June 2, 2015

Michael Phillips: 'Love & Mercy' review: Brian Wilson biopic sings

Everything that goes right with "Love & Mercy" — it's the best musical biopic in decades — begins and ends with the shadows lurking in the Beach Boys' sunniest hit songs about little deuce coupes and summers with no end in sight.

'Yves Saint Laurent' review: Haute drama

12:20 PM EDT, May 28, 2015

'Yves Saint Laurent' review: Haute drama

Even in a contemporary film culture where no idea seems too thin to try twice, the arrival of two Yves Saint Laurent biopics in the space of five months counts as a distinct curiosity: The enduring influence of the French fashion god, who died in 2008, is beyond question, but his life doesn't seem an obvious source of fascination to the filmgoing public. Yet if Jalil Lespert's bland, authorized "Saint Laurent" represents the pret-a-porter version of its subject, Bertrand Bonello's glossily intuitive vision is pure haute couture — considerably more spectacular, but also less practical, with its baroque ornamentation and slip-sliding chronology. The result, while seductively silly and largely unmoving, does a better job than its predecessor of celebrating Saint Laurent's flamboyant artistry.

'San Andreas' review: Demolition derby

10:33 AM EDT, May 28, 2015

Michael Phillips: 'San Andreas' review: Demolition derby

The fault, dear Brutus, is not in our stars. The fault is the star of "San Andreas," a fairly entertaining weapon of mass destruction reminding us that life's blessings come to those who receive preferential billing.

'Aloha' review: Hawaii so-so

4:04 PM EDT, May 28, 2015

Michael Phillips: 'Aloha' review: Hawaii so-so

For context's sake, the new Cameron Crowe film "Aloha" is a tick up from the dregs of "Elizabethtown" and a tick down from "We Bought a Zoo." The Media Action Network for Asian-Americans calls it a "whitewashed" version of Hawaii, a state that is roughly 30 percent Caucasian in real life and, as "Aloha" presents it, roughly 97 percent in fake life. Same old Hollywood ethnographic story. And yet the recent Alexander Payne picture "The Descendants," likewise set in Hawaii, made hash of similar objections, simply by being sharp and witty and astute about its chosen characters.

'I'll See You in My Dreams' review: Terrific acting can't save script

5:29 PM EDT, May 19, 2015

Michael Phillips: 'I'll See You in My Dreams' review: Terrific acting can't save script

Our attraction to the movies starts from simple building blocks: a face, a heart-wrenching separation, a pratfall. But here are two simple pleasures I defy anyone to argue against.

'In the Name of My Daughter' review: Lifetime-like tragedy

3:58 PM EDT, May 22, 2015

'In the Name of My Daughter' review: Lifetime-like tragedy

The French film "In the Name of My Daughter" is based on a tricky real-life story. It's even trickier to write about without giving away spoilers, if that's even the right word for details that are revealed about actual events.

Explosive comedy '100-Year-Old Man' tosses rules out a window

7:40 PM EDT, May 7, 2015

MOVIE REVIEW

Betsy Sharkey: Explosive comedy '100-Year-Old Man' tosses rules out a window

Echoes of the hilarious ineptitude of Woody Allen's "Take the Money and Run" and the historic kookiness of "Forrest Gump" turn up throughout "The 100-Year-Old Man Who Climbed Out the Window and Disappeared," starring Sweden's beloved comic actor Robert Gustafsson. It's a hoot and a half.

'Tomorrowland' review: Clooney imagineers hope

3:18 PM EDT, May 19, 2015

Christopher Borrelli: 'Tomorrowland' review: Clooney imagineers hope

By now you probably heard that the series finale of "Mad Men" ended with adman Don Draper dressed in loose-fitting whites, chanting "om" on the lawn of a commune in California, perched at the edge of the Pacific, the 1960s having slid into the 1970s. Then, just as we assumed Don had found spiritual release, a smile flickered at his mouth. He had an idea, and the show cut to that most characteristic of '70s corporate hosannas — a field of people singing they would like to teach the world to sing in perfect harmony, they would like to buy the world a Coke. There was ambiguity in those final images, but the message was plain: Someone, perhaps Don, landed on a deliriously catchy, and deeply cynical, way to sell hope and optimism.

'Iris' review: Celebrating a singular New York style sensation

4:14 PM EDT, May 14, 2015

'Iris' review: Celebrating a singular New York style sensation

She was never a great beauty, a model or magazine editor, never married anybody famous. But somehow, Iris Apfel was anointed a New York "fashion icon."

'Poltergeist' review: Spiritless reboot is heeeere

12:12 PM EDT, May 21, 2015

'Poltergeist' review: Spiritless reboot is heeeere

The closing credits for Gil Kenan's remake of the 1982 horror classic "Poltergeist" feature the band Spoon covering the Cramps' 1980 punk classic "TV Set." Spoon is a tasteful, studious yet largely anodyne indie-rock outfit that has become an NPR staple; the Cramps were a scuzzy, unhinged psychobilly band whose most famous gig took place in an actual mental hospital.

'Mad Max: Fury Road': A symphony of vehicular mayhem

1:44 PM EDT, May 12, 2015

Michael Phillips: 'Mad Max: Fury Road': A symphony of vehicular mayhem

You remember "Happy Feet." This is George Miller's "Happy Wheels." The creator of the original "Mad Max" trilogy has whipped up a gargantuan grunge symphony of vehicular mayhem that makes "Furious 7" look like "Curious George."

'Pitch Perfect 2' review: Snide and lazy just don't cut it

11:04 AM EDT, May 13, 2015

Michael Phillips: 'Pitch Perfect 2' review: Snide and lazy just don't cut it

Can we please talk about the snottiness of "Pitch Perfect 2"? It's seriously snotty. It's a two-hour lesson in how to act like a frenemy to your alleged friends. And it's not funny enough.

Review: 'Far From the Madding Crowd'

3:18 PM EDT, May 6, 2015

Michael Phillips: Review: 'Far From the Madding Crowd'

Equipped with its own brand of rough-hewn glamour, the new film version of the 1874 love quadrangle "Far From the Madding Crowd" is a long way from the widescreen, 171-minute running time and anachronistic Julie Christie eyeliner of the Thomas Hardy novel's best-known previous adaptation, released in 1968.

'Lambert & Stamp' review: Alternative history of The Who is an eye-opener

3:44 PM EDT, May 14, 2015

'Lambert & Stamp' review: Alternative history of The Who is an eye-opener

There have been better, more thorough documentaries about the seminal rock band The Who. "The Kids Are Alright" set the standard in '79, and "Amazing Journey: The Story of The Who" seemed to fill in the gaps of that earlier film.

'Where Hope Grows review: Routine but watchable melodrama

4:05 PM EDT, May 14, 2015

'Where Hope Grows review: Routine but watchable melodrama

"Where Hope Grows" is a sometimes moving and generally watchable melodrama about a drunken ex-ballplayer who finds purpose and a friend back in his home town.

'Echoes of War' review: Civil War tale surrenders to predictable storyline

3:53 PM EDT, May 14, 2015

'Echoes of War' review: Civil War tale surrenders to predictable storyline

Take away the armies and artillery, and a low-budget Civil War movie turns into a Western.

7:32 PM EDT, May 7, 2015

Michael Phillips: Review: 'Welcome to Me'

As a comic performer with admirably sneaky dramatic instincts, Kristen Wiig works like a pair of binoculars as peered into from the wrong end. Tiny throwaway mutterings become the activation point of an exchange, even an entire scene, while conventionally emotional big moments are often glancing, unexpected and gone before you know it.

Review: '5 Flights Up'

6:31 PM EDT, May 7, 2015

Review: '5 Flights Up'

The considerable cinematic charms of Diane Keaton and Morgan Freeman are no match for the hell that is the New York real estate market in "5 Flights Up," a middling comedy about getting old, trying to downsize and running up against real estate agents, hagglers and looky Lous.

Review: 'The D Train'

6:15 PM EDT, May 7, 2015

Review: 'The D Train'

In "The D Train," Jack Black plays a guy who never forgot his first high school "man crush."

Review: 'Gett: The Trial of Viviane Amsalem'

11:38 AM EST, February 26, 2015

Michael Phillips: Review: 'Gett: The Trial of Viviane Amsalem'

The courtroom drama is among the cinema's most irresistible genres, where rigid formula (the expected) meets the blurted-out confession or the pent-up and finally detonated hidden truth (the unexpected). In the week's best new film, a highly compressed, exquisitely acted tale of two people who do not belong together plays out as a courtroom saga that, in story terms, runs longer than many marriages.

Review: 'The Avengers: Age of Ultron'

10:33 AM EDT, April 28, 2015

Michael Phillips: Review: 'The Avengers: Age of Ultron'

When I say "Avengers: Age of Ultron" won't disappoint a majority of its pre-sold, culturally obligated fans around the world -- the world perpetually on the verge of extinction in the Marvel universe -- you know what I mean. You know what the movie promises, and would be foolish, or inept, not to deliver.

7:15 PM EDT, April 16, 2015

Kenneth Turan : 'Dior and I' a stitch-in-time peek at haute couture creation

They don't call it haute couture for nothing.

Review: 'The Age of Adaline'

1:33 PM EDT, April 23, 2015

Review: 'The Age of Adaline'

Hollywood long ago ceded "love that stands the test of time" to the realm of science fiction and fantasy, so "The Age of Adaline" falls neatly into a genre that includes "The Time Traveler's Wife," "About Time," and even "Somewhere in Time."

Review: 'The Water Diviner'

5:34 PM EDT, April 23, 2015

Michael Phillips: Review: 'The Water Diviner'

Russell Crowe's feature directorial debut, "The Water Diviner," stems from an honest impulse to dramatize ordinary people who honor their dead. Yet the results are narratively dishonest and emotionally a little cheap. A single performance lifts the film above the level of mediocrity; more on that later.

Review: 'Little Boy'

5:33 PM EDT, April 23, 2015

Michael Phillips: Review: 'Little Boy'

"Little Boy" answers a question most tear-jerkers wouldn't have the nerve to ask: Can the bombing of Hiroshima be manipulated narratively, if briefly, into a position of warming our hearts?

Review: 'Ex Machina'

5:32 PM EDT, April 15, 2015

Michael Phillips: Review: 'Ex Machina'

A grandly ridiculous theatrical tradition born in ancient Greece, deus ex machina meant, literally, a god borne by a machine descending from the sky to determine a story's outcome.

Review: 'Desert Dancer'

1:03 PM EDT, April 9, 2015

Review: 'Desert Dancer'

"So you are an artist," an Iranian member of the Basij, the country's paramilitary morality police, hisses at the hero of "Desert Dancer," who is about to be punished. "Beat him … artistically!"

Review: 'Kumiko, the Treasure Hunter'

11:28 AM EDT, March 26, 2015

Review: 'Kumiko, the Treasure Hunter'

"Kumiko, the Treasure Hunter" is a moody comic allegory about desperation, disconnection and dreams that uses "Fargo," the Coen brothers classic, as a touchstone to examine modern life.

Review: 'True Story'

1:07 PM EDT, April 16, 2015

Michael Phillips: Review: 'True Story'

"True Story" is a case of a well-crafted film, made by a first-time feature director with an impressive theatrical pedigree, that nonetheless struggles to locate the reasons for telling its story.

Review: 'The Salt of the Earth'

11:31 AM EDT, April 2, 2015

Michael Phillips: Review: 'The Salt of the Earth'

Watching "The Salt of the Earth," the compelling new documentary about photographer Sebastiao Salgado, it becomes clear early on just how odd it is to experience Salgado's work on someone else's timetable. With an exhibition or a book of photographs, you set your own clock, spending as much time or as little inside a particular image as you like. With film, that's not the case. Co-directors Wim Wenders (a huge Salgado fan) and Juliano Ribeiro Salgado (the photographer's son) linger on certain canvases of catastrophe or human suffering while darting off others, and often I found myself engaging in an internal monologue: Wait! Go back! Other times it was the opposite, when Salgado's imposing, devastating images of famine and genocide victims became nearly too much to bear.

Review: 'The Longest Ride'

1:03 PM EDT, April 9, 2015

Michael Phillips: Review: 'The Longest Ride'

No less than the "Harry Potter" adaptations or the "Fast and Furious" movies, the novels of Nicholas Sparks form the basis of a consistent film franchise in which the characters' names and crises and letters-read-aloud voice-overs may change, but it's the same wish-fulfillment universe across title after title. The public likes what the public likes, even if the public likes some Sparks adaptations more than others.

Review: 'Merchants of Doubt'

12:14 PM EDT, March 12, 2015

Review: 'Merchants of Doubt'

Don't underestimate Robert Kenner's "Merchants of Doubt." It may sound like a standard-issue advocacy documentary concerned, as so many are, with the perils of global warming, but it's a lot more than that.

Review: 'Furious 7'

2:56 PM EDT, April 1, 2015

Michael Phillips: Review: 'Furious 7'

Under the hood, we're all Vin Diesel, trying to live a meaningful life a quarter-mile at a time. Yet the film series begun in the pre-9/11 era with "The Fast and the Furious" has sustained itself through weak sequels and exuberant ones, and has become not a drag race but the Indy 500 of the movies: a reliable if repetitive ode to fossil fuel. Keep it coming, pal. We'll tell you when we've had enough.

Review: 'Woman in Gold'

4:23 PM EDT, March 31, 2015

Michael Phillips: Review: 'Woman in Gold'

In "Woman in Gold," a paint-by-numbers account of a gorgeous Klimt and its tortured history of ownership, there's really no other word for what Helen Mirren is doing in certain reaction shots, out of subtle interpretive desperation: mugging. She's mugging. She is a sublimely talented performer, and this is material with fascinating implications, and I doubt there's a moviegoer in the world who doesn't like Helen Mirren. But even the best actors need a director to tell them to tone it down.

 'Effie Gray' paints a poignant portrait of Victorian era

6:30 PM EDT, April 2, 2015

MOVIE REVIEW

Kenneth Turan : 'Effie Gray' paints a poignant portrait of Victorian era

Genteel almost but not quite to a fault, "Effie Gray" is the decorous treatment of a story that shocked Victorian England: the romantic triangle of critic John Ruskin, his seriously unhappy wife, Euphemia "Effie" Gray, and his protege, the painter John Everett Millais.

Review: 'Danny Collins'

11:22 AM EDT, March 26, 2015

Michael Phillips: Review: 'Danny Collins'

On screen, looking like Keith Richards' bright-eyed, bushy-tailed life coach and partner in debauchery, Al Pacino is a man whose aura screams, "I love the '70s!" Meaning: his own. Turning 75 next month, Pacino has a high old time in the slight, moderately charming "Danny Collins," and he bounces off plenty of good and great co-stars, among them Annette Bening (as the New Jersey hotel manager he's hot for) and Bobby Cannavale, calmly effective as the estranged son of the aging rock star of the title.

Review: 'Home'

10:55 AM EDT, March 26, 2015

Michael Phillips: Review: 'Home'

The cuddliest alien invasion movie ever, "Home" contains nifty turns of phrase and some actual, verifiable verbal wit, owing in large part to its source material, Adam Rex's 2007 children's book "The True Meaning of Smekday."

Review: 'Get Hard'

11:19 AM EDT, March 26, 2015

Michael Phillips: Review: 'Get Hard'

An awful lot of "Get Hard" depends on gay-panic humor of a weirdly squirmy and dated sort, making you wonder if this new Will Ferrell/Kevin Hart mystery might best be viewed alongside reissues of "Cruising" and "Norman … Is That You?"

Review: 'It Follows'

2:56 PM EDT, March 19, 2015

Michael Phillips: Review: 'It Follows'

A film of slow builds and medium-grade payoffs, "It Follows" imagines a curse represented by a shape-shifting apparition that might be as ordinary-looking as the boy next door. The curse is transmittable only by intercourse, and the infected rid themselves of the deadly phantom by hooking up with someone else.

Review: '71'

11:18 AM EDT, March 12, 2015

Michael Phillips: Review: '71'

First performed in 1923, following an early chapter in that quaint, understated late 1960s-coined cycle of violence known as the Troubles, Sean O'Casey's play "The Shadow of a Gunman" imagined a crowded tenement house that becomes a microcosm of the Irish War of Independence. A key scene in that play depicts British Black and Tan forces conducting a raid, to deadly results.

Review: 'Wild Tales'

11:40 AM EST, February 26, 2015

Review: 'Wild Tales'

Revenge may be a dish best served cold, but Argentine writer-director Damian Szifron allows it to sit until it congeals in the dreary six-part anthology "Wild Tales."

Review: 'Insurgent'

6:09 AM EDT, March 18, 2015

Michael Phillips: Review: 'Insurgent'

Chicago has never looked less toddlin' than it does in "Insurgent," the second of four planned movies to be pulled, taffylike, out of the hugely popular Veronica Roth trilogy. At one point our fierce yet humble dystopian world saver, Tris Prior, played by the fierce but humble franchise saver, Shailene Woodley, strolls beneath rusted bridges along the dried-up remains of the Chicago River. I knew that St. Patrick's Day dye wasn't safe!

11:19 AM EDT, March 19, 2015

Michael Phillips: Review: 'The Gunman'

Speedy brutality is the spoonful of sugar in most action movies, making the narrative medicine go down for as large an international audience as possible. I'm not blowing any surprises by pointing this out. Besides, with "The Gunman," the surprises keep on not coming. You've seen a lot of it before, either in "Taken" (the same director, Pierre Morel, did this one) or out of "Taken."

'The Wrecking Crew' affectionate tribute to hit-backing musicians

5:07 PM EDT, March 12, 2015

REVIEW

Kenneth Turan : 'The Wrecking Crew' affectionate tribute to hit-backing musicians

To Beach Boys guru Brian Wilson, "they were the ones with all the spirit and all the know-how." To Nancy Sinatra, they were "unsung heroes," to Herb Alpert, "an established groove machine." And to celebrated songwriter Jimmy Webb, they were simply "stone cold rock and roll professionals."

Review: 'Cinderella'

12:04 PM EDT, March 12, 2015

Michael Phillips: Review: 'Cinderella'

Refreshingly free of all snark, the satisfying new live-action "Cinderella" from the princess manufacturing company known as Disney has generated a whirl of pre-screening publicity regarding the billowy blue gown with the terrifyingly narrow waist, as worn by the excellent British actress Lily James.

Review: 'Run All Night'

11:21 AM EDT, March 12, 2015

Michael Phillips: Review: 'Run All Night'

In a convention-bound action movie such as "Run All Night," some nicely rumpled actors can go a long way toward redeeming the cliches, the primary cliche being a flawed protagonist who seeks redemption for his sins.

Review: 'Red Army'

2:11 PM EST, February 5, 2015

Review: 'Red Army'

"Red Army" is a deceptive name for a charming documentary. Even if you know it's the story of a legendary hockey team and not the fierce Soviet-era military machine, you will be surprised by its sociopolitical and personal content and the engaging way it tells its story.

 'Home Sweet Hell' plunges into a muddle of moviemaking

9:10 PM EDT, March 12, 2015

'Home Sweet Hell' plunges into a muddle of moviemaking

If Katherine Heigl thought the unappetizing dark comedy "Home Sweet Hell" might somehow help her flagging film career, she was greatly mistaken. As for her co-lead, Patrick Wilson, there simply had to be better choices out there for the talented, appealing actor. "Home Sweet Hell" makes his other recent outing — the messy, not-dissimilar indie "Let's Kill Ward's Wife" — look good in comparison.

Review: 'The Second Best Exotic Marigold Hotel'

March 5, 2015

Michael Phillips: Review: 'The Second Best Exotic Marigold Hotel'

Three years ago, on a somewhat different scale, the success of the first "Best Exotic Marigold Hotel" was weirdly akin to the success of the first "Avengers" movie. Both relied on ensemble superheroics and charmingly fractious banter among movie stars. This year brings sequels to both films. First up is "The Second Best Exotic Marigold Hotel," the one without the explosions.

Review: 'What We Do in the Shadows'

7:00 PM EST, February 26, 2015

Michael Phillips: Review: 'What We Do in the Shadows'

Eighty-five minutes of really funny, the New Zealand vampire mockumentary "What We Do in the Shadows" comes from the "Flight of the Conchords" folks and their pals. Let me restate: This is a comedy that works.

Review: 'Unfinished Business'

March 5, 2015

Review: 'Unfinished Business'

A comedy with its heart in the right place and everything else bizarrely out of joint, "Unfinished Business" finds director Ken Scott following 2013's "Delivery Man" with another dubious attempt to sell audiences on Vince Vaughn's sensitive side. Playing a down-on-his-luck family man who takes an ill-advised business trip to Berlin with two unfunny sidekicks in tow (Tom Wilkinson and Dave Franco), Vaughn is admittedly the least of the movie's worries: Awkwardly wrapping a heartwarming message of self-acceptance in a layer of crude sexual humor, it's like a date who tries to pat you on the back with one hand while groping you with the other.

Review: Zero stars for 'Chappie'

12:38 PM EST, March 5, 2015

Michael Phillips: Review: Zero stars for 'Chappie'

I found lots to admire in writer-director Neill Blomkamp's "District 9" and, despite its heavy-handed universal health care polemics, the Matt Damon space station allegory "Elysium." But his latest science fiction outing, co-written (like "Elysium") with his wife, Terri Tatchell, is a misjudgment from metallic head to titanium toe. After Wednesday's advance screening, the dialogue en route to the parking garage was clear and pointed. Woman 1: "Wasn't that the worst?" Woman 2: "The worst. Could you hit P2, please?"

Review: 'Focus'

11:19 AM EST, February 26, 2015

Michael Phillips: Review: 'Focus'

In August 2016, Will Smith and Margot Robbie will lead the ensemble of the DC Comics adaptation "Suicide Squad," a presumptive superantihero franchise in the making. Meantime, consider the new film "Focus" as a sort of Intro-to-Chemistry test for the same actors. Do they pass?

Review: 'Leviathan'

January 8, 2015

Michael Phillips: Review: 'Leviathan'

A grand, brooding Russian crime drama set in a corner of the world you likely haven't seen, "Leviathan" is about an ordinary man taking on a dirty town that Dashiell Hammett or James M. Cain would've been proud to call home.

Review: 'The Lazarus Effect'

11:55 AM EST, February 26, 2015

Review: 'The Lazarus Effect'

"The Lazarus Effect" is what happens when hip, smart actors commit themselves — body and soul — to a horror movie.

Review: 'A La Mala'

12:05 PM EST, February 26, 2015

Review: 'A La Mala'

Maria Laura, the heroine of "A La Mala," is a slinky bombshell of an actress who uses her talents to flirt with other women's beaus to test their loyalty. The acting roles aren't there, but there is no shortage of women who need a professional breaker-upper.

'Deli Man' a mouth-watering film

3:20 PM EST, February 16, 2015

'Deli Man' a mouth-watering film

"People loved 'Deli Man' — it is literally a mouth-watering film," said Ellen Wedner, director/executive producer of the Donald M. Ephraim Palm Beach Jewish Film Festival, at which the film recently played. "Everyone told me they were hungry after seeing it."

Review: 'McFarland, USA'

11:03 AM EST, February 19, 2015

Michael Phillips: Review: 'McFarland, USA'

A less talented and more shameless director might've turned it into cornmeal mush, but Niki Caro ("Whale Rider") has delivered unto the Disney corporation a Kevin Costner sports movie that works. Commercially? We'll see. But as an inspirational true story, fictionalized to the usual degree, it works.

Review: 'The DUFF'

11:52 AM EST, February 19, 2015

Michael Phillips: Review: 'The DUFF'

"The DUFF" stands for "Designated Ugly Fat Friend." From that cruel acronym, we now have a movie designed to appeal to fans of the source material. Kody Keplinger wrote the book when she was 17 and a merry slave to high school clique cliches. But her sense of humor appealed to older readers as well — basically to anyone who hadn't left behind the old teenage insecurities about looks, status, social stratification and feeling like a loser. We've all been there.

Review: 'Hot Tub Time Machine 2'

12:17 PM EST, February 19, 2015

Review: 'Hot Tub Time Machine 2'

John Cusack has been reduced to Z-grade action comedies, shot in Australia and co-starring Thomas Jane, at this stage of his career.

Review: 'Fifty Shades of Grey'

10:13 AM EST, February 12, 2015

Michael Phillips: Review: 'Fifty Shades of Grey'

Adapted and directed by women of considerably larger talent than novelist E.L. James, the film version of “Fifty Shades of Grey” turns out to be an intriguing tussle — not in the sack, or in the Red Room of Pain, but in its internal war between the dubious erotica of James’ novel (the first of three) and the far craftier trash offered by the movie.

Review: 'Kingsman: The Secret Service'

10:00 AM EST, February 12, 2015

Michael Phillips: Review: 'Kingsman: The Secret Service'

Silly, sadistic and finally a little galling, "Kingsman: The Secret Service" answers the question: What would Colin Firth have been like if he'd played James Bond?

Review: 'Mr. Turner'

11:41 AM EST, December 22, 2014

Michael Phillips: Review: 'Mr. Turner'

Some films assert their rightness and sureness in the opening shot. Mike Leigh's excellent "Mr. Turner" is one of them, though Leigh and his inspired cinematographer, Dick Pope, are less concerned with conspicuous camera movement than with a charged sort of stillness. It's a beautiful film, and not merely that. When it's over you feel as if you have been somewhere, to another century, peering at the world through a different set of eyes.

Review: 'Old Fashioned'

1:36 PM EST, February 12, 2015

Review: 'Old Fashioned'

The faith-based romance "Old Fashioned" is a slow, preachy romantic comedy opening Valentine's Day week opposite "Fifty Shades of Grey," counterprogramming "love" that's kinky with love from Corinthians: "Love is patient, love is kind. It does not envy, it does not boast, it is not proud …"

Review: 'Jupiter Ascending'

8:59 AM EST, February 4, 2015

Michael Phillips: Review: 'Jupiter Ascending'

In "Jupiter Ascending" Channing Tatum's character is a "splice," an intergalactic bounty hunter with a distaste for shirts. His genetically engineered DNA contains both wolf and human strands. He sports wee pointy ears, a lemon-brown goatee and a terrific pair of jet boots. He's basically Shakespeare's Puck plunked down in a story recalling "The House of Atreus," but in space.

Review: 'Still Alice'

11:32 AM EST, January 15, 2015

Review: 'Still Alice'

Losing your mind is a terrible thing to watch, but the splendid acting in "Still Alice" makes it worth the pain. Scarier than any Elm Street nightmare, it succeeds despite itself not because of one strong performance but two.

One witty animated short rides ahead of the Oscar pack

3:48 PM EST, January 29, 2015

Michael Phillips: One witty animated short rides ahead of the Oscar pack

I have no idea which of this year's five nominated animated short films will win an Academy Award on Feb. 22. But if I ran the zoo, the prize would go to "Me and My Moulton," 14 minutes of sheer pleasure from writer-director Torill Kove. The "Oscar-Nominated Short Films: Animation" program is part of a presentation opening this week at Landmark's Century Centre Cinema.

5 academy contenders span not only globe, but also styles

4:37 PM EST, January 29, 2015

Michael Phillips: 5 academy contenders span not only globe, but also styles

As an oddly shaped, highly stimulating gang of five, this year's Oscar-Nominated Short Films: Live Action slate comprises a couple of hours of cinema more worthwhile than 90 percent of what's out there at the moment. Therefore you should see the program being presented over at Landmark's Century Centre Cinema. The Academy of Motion Picture Arts and Sciences appears to have made some unusually strong decisions this year.

Review: 'The SpongeBob Movie: Sponge Out of Water'

12:09 PM EST, February 5, 2015

Michael Phillips: Review: 'The SpongeBob Movie: Sponge Out of Water'

There's a new "SpongeBob" movie out, "The SpongeBob Movie: Sponge Out of Water." It's passable. The trade publication Variety predicts it will be "equally popular among the franchise's key grade-schooler and head-shop-owner demographics," and that sounds right to me.

Review: 'Seventh Son'

12:15 PM EST, February 5, 2015

Review: 'Seventh Son'

Legend has it that the seventh son of a seventh son is born with certain special powers, which, in Joseph Delaney's "Wardstone Chronicles" fantasy-lit series, include the ability to see supernatural beings and, potentially, to kill witches.

Review: 'Black or White'

10:53 AM EST, January 29, 2015

Michael Phillips: Review: 'Black or White'

Is there anything more dispiriting than a sentence beginning with the phrase "It means well, but …"? Here's a variation on that, and a dispiriting movie to go with it. "Black or White" may not be racist, exactly, but it patronizes its African-American characters up, down and sideways, and audiences of every ethnicity, background, hue and predilection can find something to dislike.

Review: 'Black Sea'

11:20 AM EST, January 29, 2015

Michael Phillips: Review: 'Black Sea'

"Black Sea" is a submarine movie, so to many moviegoers of a certain age, that's two-and-a-half stars right there. Nothing promises old-school pressure-cooking the way the subgenre of the sub thriller can, and while director Kevin Macdonald's drama springs all sorts of leaks in its second half, there are modest satisfactions along the way.

Review: 'Two Days, One Night'

11:58 AM EST, January 15, 2015

Michael Phillips: Review: 'Two Days, One Night'

When we listen in on one-sided telephone conversations in the movies, often the behavior is not quite human. Rather, it becomes an actor's showcase for histrionic tears or smiling through tears — a good old-fashioned wallow in capital-O Overacting.

Review: 'A Most Violent Year'

11:01 AM EST, January 15, 2015

Michael Phillips: Review: 'A Most Violent Year'

Writer-director J.C. Chandor has made three good movies in a row, and they're his first three. He's a heartening exception to the usual percentages.

Review: 'The Boy Next Door'

11:39 AM EST, January 22, 2015

Michael Phillips: Review: 'The Boy Next Door'

As the song from "Meet Me in St. Louis" put it, in a different story context: How can she ignore the boy next door?

Review: 'Strange Magic'

12:08 PM EST, January 22, 2015

Review: 'Strange Magic'

There are good things in the animated musical fantasy "Strange Magic": the ultra-detailed, photorealistic animation; the name-that-tune pleasures of a mashup jukebox soundtrack; fine vocal performances from the cast's actor-singers; and a transcendent sequence featuring the 1975 title song.

Review: 'Cake'

11:09 AM EST, January 22, 2015

Michael Phillips: Review: 'Cake'

Why didn't Jennifer Aniston get an Oscar nomination for "Cake"? The short answer to that question: With one of the five best actress slots taken by Julianne Moore for "Still Alice," there was simply no room for another routinely made health-crisis indie, salvaged by a strong, confident, unfussy turn from its female lead.

Review: 'Mortdecai'

12:41 PM EST, January 22, 2015

Review: 'Mortdecai'

Should the recent surge in male facial hair as a fashion accessory stall in 2015, barbers would be within their rights to blame "Mortdecai," a perky but obstinately unfunny heist caper with a hero irksome enough to make any happily mustachioed man reconsider his life choices. Directed by an off-form David Koepp, the film shoots for the swinging insouciance of '60s farce, but this story of a caddish art dealer enlisted by MI5 to assist in a knotty theft case is longer on frippery than quippery. Only particularly dedicated devotees of Johnny Depp's latter-day strain of mugging — here channeling Austin Powers by way of P.G. Wodehouse — will delight in this expensive-looking oddity.

Review: 'Song One'

12:21 PM EST, January 22, 2015

Review: 'Song One'

It's common Hollywood practice to follow an Oscar win with a trip to big budget land, where the paychecks, the trailers and the impact on the culture are potentially huge. So Sandra Bullock did "Gravity" right after "Blind Side," and Anne Hathaway did "Interstellar" not long after picking up an Oscar for "Les Miserables."

Review: 'American Sniper'

10:37 AM EST, January 15, 2015

Michael Phillips: Review: 'American Sniper'

People will take what they want to take from "American Sniper," director Clint Eastwood's latest film. Already it has turned into an ideological war to be won or lost, rather than a fictionalized biopic to be debated.

Review: 'Paddington'

January 15, 2015

Michael Phillips: Review: 'Paddington'

Never judge by appearances. The poster image for "Paddington," already a hit in Britain, depicts the valiant little bear in the red hat and blue jacket careening down a flooded staircase in a bathtub, and the image (from the first of creator Michael Bond's 26 "Paddington" books) is rendered in such a way as to make the film look pushy and twee and eminently skippable.

Review: 'The Wedding Ringer'

11:35 AM EST, January 15, 2015

Review: 'The Wedding Ringer'

"The Wedding Ringer" is "Wedding Crashers Redux," a "Hangover Lite" that softens manic funnyman Kevin Hart's persona into someone almost as funny, but more sentimental than abrasive. That helps "Ringer" work as a bromantic comedy that feels like a romantic comedy.

Review: 'Blackhat'

12:19 PM EST, January 15, 2015

Michael Phillips: Review: 'Blackhat'

"Blackhat" is a thickly plotted disappointment, yet it has three or four big sequences proving that director Michael Mann, who gave us "Thief," "Heat," "Collateral" and others, has lost none of his instincts for how to choreograph, photograph and edit screen violence.

Review: 'Spare Parts'

12:06 PM EST, January 15, 2015

Review: 'Spare Parts'

"Spare Parts" is a pleasant enough run-of-the-mill outsiders-beat-the-odds dramedy in the "Race the Sun" mold.

Review: 'Listen Up Philip' ★★★★

12:41 PM EDT, October 23, 2014

Michael Phillips: Review: 'Listen Up Philip' ★★★★

As a filmgoer, do you require an admirable, likable protagonist? If you're in league with a large percentage of the populace, the answer is simple: yes. Life's too short to spend it in abrasive company, with characters who test your sympathy or make you examine your own worst impulses in a revealing light.

Review: 'Inherent Vice'

11:25 AM EST, January 8, 2015

Michael Phillips: Review: 'Inherent Vice'

It takes a genuine film artist to create an alternate-reality version of a familiar place — real enough to make us feel we've been there, or somewhere near there, unreal enough to push it over the edge of familiarity and even sanity.

Review: 'Taken 3'

1:05 PM EST, January 8, 2015

Review: 'Taken 3'

Running out of kidnapped relatives for Liam Neeson's ex-CIA killing machine to rescue, scribes Luc Besson and Robert Mark Kamen turn him into a fugitive framed for murder in "Taken 3," a mind-numbing, crash-bang misfire that abandons chic European capitals for the character's own backyard. French director Olivier Megaton, who at least paced "Taken 2" with workmanlike efficiency, executes the pedestrian plot without a shred of tension or finesse.

Review: 'Selma'

12:44 PM EST, December 30, 2014

Michael Phillips: Review: 'Selma'

You can scan any director's resume at your peril, because their work is on the screen, and in the right circumstances, as with director Ava DuVernay's fine, full and confident "Selma," the work speaks for itself.

Review: 'Into the Woods'

10:48 AM EST, December 22, 2014

Michael Phillips: Review: 'Into the Woods'

In the generation since "Into the Woods" opened on Broadway, the entertainment world has recycled a forest's worth of enchantress-based, princess-dependent and fairy tale-steeped mythology for mass consumption, from Disney's "Frozen" and "Maleficent" to the smaller screen's "Grimm," "Once Upon a Time" and "Charmed." And let's not forget the theatrical extravaganza "Wicked," whose anthemic, full-bore sensibility and songs (full-bore in both senses) are exactly what you do not find in "Into the Woods."

Review: 'Night at the Museum: Secret of the Tomb'

11:32 AM EST, December 18, 2014

Michael Phillips: Review: 'Night at the Museum: Secret of the Tomb'

"Night at the Museum: Secret of the Tomb," otherwise known as "Night at the Museum 3," rates as more determinedly heartfelt than the first and not as witty as the second (and best). Also, no Amy Adams as Amelia Earhart in jodhpurs this time around.

Review: 'Force Majeure'

11:21 AM EST, November 20, 2014

Michael Phillips: Review: 'Force Majeure'

A skiing holiday in the French Alps: What could possibly spoil that? In the terrific black comedy "Force Majeure," the question is answered early in the picture. With an extraordinarily dry and confident way of telling its story, the Swedish entry for this year's foreign language Academy Award becomes a recreational nightmare, driven (and riven) by panicky male behavior under duress.

Review: 'Foxcatcher'

10:34 AM EST, November 20, 2014

Michael Phillips: Review: 'Foxcatcher'

Does extreme privilege point, like an arrow, to a sort of rot within the true-blue American spirit? Putting criminal insanity aside for a moment, the answer's a qualified, sorrowful yes in director Bennett Miller's "Foxcatcher," a true-crime drama hailed in many quarters as a modern classic since it debuted six months ago at the Cannes Film Festival.

Tim Burton's 'Big Eyes' feels too paint-by-numbers

11:30 AM EST, December 24, 2014

REVIEW

Betsy Sharkey: Tim Burton's 'Big Eyes' feels too paint-by-numbers

Whether leaving his mark with the bizarre yet sweet sentimentality of "Edward Scissorhands" and "Beetlejuice," the brilliant Oscar-nominated stop-motion animation of "Frankenweenie" and "Corpse Bride," or the brashness of his "Batman" reboots, Tim Burton has always been one of film's boldest visionaries. Except when it comes to women.

'The Gambler' is electric and addictive

1:00 AM EST, December 24, 2014

Matt Pais: 'The Gambler' is electric and addictive

3.5 stars (out of four)

Review: 'The Hobbit: The Battle of the Five Armies'

5:09 PM EST, December 15, 2014

Michael Phillips: Review: 'The Hobbit: The Battle of the Five Armies'

There is a moment late in "The Hobbit: The Battle of the Five Armies," after what may be the longest on-screen battle in movie history, when Ian McKellen's Gandalf sits quietly beside Martin Freeman's Bilbo Baggins and starts fussing with his pipe. No one fusses with a pipe more fussily than a great veteran English character actor, and as McKellen carefully scrapes out the bowl, getting it ready for a nice little smoke, you wonder if director Peter Jackson is going to turn this bit into his next three-film trilogy.

6:12 PM EST, November 28, 2014

'The Imitation Game' is a smartly told tale of genius, reviews say

Alan Turing, the pioneering British mathematician who cracked Nazi Germany's Enigma code and helped win World War II, gets the deciphering treatment himself in the new biopic "The Imitation Game" (opening today in limited release). Norwegian director Morten Tyldum's film, starring Benedict Cumberbatch, examines Turing's personal and professional struggles as a brilliant but aloof man and a closeted homosexual at a time when being gay was a crime in England.

Review: 'Wild'

1:58 PM EST, December 4, 2014

Michael Phillips: Review: 'Wild'

Cheryl Strayed's 2012 memoir "Wild" has become a swift, solidly built movie capturing most of its author's most interesting baggage stuff — the weedy tangle of regrets, the reckless bumper-car behavior borne of grief — while offering a rather different experience of what Strayed called "radical aloneness."

Review: 'Annie'

10:45 AM EST, December 18, 2014

Michael Phillips: Review: 'Annie'

Those interested in the health and well-being of the screen musical are advised to wait a week for "Into the Woods" rather than take a flier on the wobbly, unsatisfying new update of "Annie."

Review: 'The Hunger Games: Mockingjay, Part 1'

11:03 AM EST, November 19, 2014

Michael Phillips: Review: 'The Hunger Games: Mockingjay, Part 1'

In honor of the title we'll break this part of the sentence with a colon, and then use a portentous dash:

  'Beyond the Lights' is showcase for Gugu Mbatha-Raw

11:30 PM EST, November 13, 2014

'Beyond the Lights' is showcase for Gugu Mbatha-Raw

From the writer-director of the beloved "Love & Basketball," Gina Prince-Bythewood, "Beyond the Lights" seems like it will follow the tried-and-true celebrity-and-commoner formula seen in "The Bodyguard" and "Notting Hill."

Review: 'The Theory of Everything'

November 13, 2014

Michael Phillips: Review: 'The Theory of Everything'

Relationally, you can't entirely trust what you're seeing in "The Theory of Everything," the romanticized portrait of astrophysicist superstar Stephen Hawking and his many years spent with his first wife, Jane Hawking. Yet biopics are funny this way: Even satisfying ones can fudge and elide and gloss over any number of difficulties, while in this instance offering a steadily absorbing and movingly acted depiction of a marriage whose time comes, and then goes.

Review: 'Birdman' ★★★

11:59 AM EDT, October 22, 2014

Michael Phillips: Review: 'Birdman' ★★★

"Birdman" proves that a movie — the grabbiest, most kinetic film ever made about putting on a play — can soar on the wings of its own technical prowess, even as the banality of its ideas threatens to drag it back down to earth.

Review: 'Dumb and Dumber To'

1:05 PM EST, November 13, 2014

Review: 'Dumb and Dumber To'

Twenty years after they permanently lowered the bar on broad and dumb character comedies, Lloyd and Harry are back, "Dumb and Dumber" than ever in "Dumb and Dumber To."

Review: 'Big Hero 6'

November 6, 2014

Michael Phillips: Review: 'Big Hero 6'

In "Big Hero 6" we have a robot considerably more beguiling than his movie. Yet there's enough visual invention afoot, and enough spirited interplay among the human characters, to keep things bobbing along.

Review: 'Rosewater'

12:41 PM EST, November 13, 2014

Michael Phillips: Review: 'Rosewater'

How many casual American moviegoers would be interested in "Rosewater" if an unknown Jon had written and directed it, instead of Jon Stewart, famous "Daily Show" host and first-time feature filmmaker?

Review: 'Whiplash' ★★★★

3:19 PM EDT, October 14, 2014

Michael Phillips: Review: 'Whiplash' ★★★★

Whatever the ripping melodrama "Whiplash" says about artistic torment, or the price of ambition, or mentor/student relationships from hell or thereabouts, it's too busy providing serious excitement — both as an actors showcase and a confirmation of writer-director Damien Chazelle's cinematic chops — to get hung up on conventional uplift.

Review: 'Laggies'

11:29 AM EST, November 6, 2014

Michael Phillips: Review: 'Laggies'

In "Laggies," Keira Knightley tries on a generic American dialect. Based on the results, the actress defines that as "nasal, and how!"

Review: 'Interstellar'

1:13 PM EST, November 4, 2014

Michael Phillips: Review: 'Interstellar'

A knockout one minute, a punch-drunk crazy film the next, "Interstellar" is a highly stimulating mess. Emotionally it's also a mess, and that's what makes it worth its 165 minutes — minutes made possible by co-writer and director Christopher Nolan's prior global success with his brooding, increasingly nasty "Batman" films, and with the commercially viable head-trip that was "Inception."

Review: 'Nightcrawler'

4:38 PM EDT, October 29, 2014

Michael Phillips: Review: 'Nightcrawler'

Jake Gyllenhaal lost 30 pounds for his new movie, "Nightcrawler," and the result is simple and eerie, much like the film itself. He appears to be wearing a Jake Gyllenhaal mask, all cheekbones, sallow complexion and unblinking laser-beam eyes.

Review: 'Before I Go To Sleep'

October 30, 2014

Review: 'Before I Go To Sleep'

"Before I Go To Sleep" is a risky title for a genre exercise intended to keep viewers bolt upright in their seats, handing mirthful critics a ready-made punch line at the first sign of lethargy. The good news is that Rowan Joffe's adaptation of S.J. Watson's 2011 publishing phenom is far from a snooze; the bad news is that it's the film's escalating ludicrousness that holds our attention.

 'Zero Theorem' adds up to almost nothing

8:40 PM EDT, September 18, 2014

'Zero Theorem' adds up to almost nothing

In the showy sci-fi fantasy "The Zero Theorem," a man spends his life waiting for an elusive phone call that will explain the meaning of life and, as a result, learns he has led a meaningless life. That kind of elliptical thinking permeates way too much of this latest carnival ride from idiosyncratic filmmaker Terry Gilliam, who directed based on a ponderous if undeniably ambitious script by Pat Rushin.

Review: 'Horns'

11:39 AM EDT, October 30, 2014

Michael Phillips: Review: 'Horns'

If "Horns" had the zip of the source novel's first two paragraphs, we'd have a movie instead of a mess. The book, published in 2010, begins by laying out the dilemma author Joe Hill invents for his protagonist. Ignatius "Ig" Perrish has a hangover, and the morning after a night of unspecified "terrible things," he puts his hands to his temples and realizes he has a "pair of knobby pointed protuberances" where none used to be.

Review: 'St. Vincent' ★★★

October 16, 2014

Michael Phillips: Review: 'St. Vincent' ★★★

For all the boozed and abusive amusement provided by the great Bill Murray in the good-enough "St. Vincent," the moment I liked best was Naomi Watts as a pregnant Russian stripper, manhandling a vacuum across the Murray character's ancient carpet. In movies as in life, it's the little things.

Review: 'Dear White People' ★★★★

11:48 AM EDT, October 23, 2014

Michael Phillips: Review: 'Dear White People' ★★★★

So many movies come out of the Sundance Film Festival, and others like it, laden with praise but oddly short on narrative invention, visual instincts and a story with something on its mind. Heartiest congratulations to "Dear White People," which is equipped with all three. It's a slyly provocative achievement and a serious calling card for its writer-director, Justin Simien.

Review: 'John Wick' ★★ 1/2

12:56 PM EDT, October 23, 2014

Review: 'John Wick' ★★ 1/2

Review: 'Fury' ★★ 1/2

9:51 AM EDT, October 16, 2014

Michael Phillips: Review: 'Fury' ★★ 1/2

"Fury" is a mixture of sharp realism and squishy cliches that combat movies don't really need anymore. It stars Brad Pitt as a 2nd Armored Division sergeant known as Wardaddy, commander of a battle-scarred Sherman tank whose nickname, painted on its gun barrel, gives writer-director David Ayer's film its title.

Review: 'The Trip to Italy' ★★&#9733 1/2

1:02 PM EDT, August 21, 2014

Michael Phillips: Review: 'The Trip to Italy' ★★★ 1/2

If Steve Coogan and Rob Brydon were even 7 percent less amusing, "The Trip to Italy" would have no reason to exist, even with its casually gorgeous scenery and shattering close-ups of seafood pasta fresh out of the kitchen.

Review: 'Men, Women & Children' ★★

10:56 AM EDT, October 2, 2014

Michael Phillips: Review: 'Men, Women & Children' ★★

Jason Reitman's serenely panic-stricken "Men, Women & Children" pushed every single one of my hot buttons as a parent while simultaneously setting off every single one of my warning bells as a critic. Based on Chad Kultgen's debut novel, it depicts modern-day America as the land of scarily unlimited digital opportunity. It is a place where honest personal communication without the filter, the crutch or the dodge of a personal electronic device has become a distant memory.

Review: 'The Judge' ★★ 1/2

10:49 AM EDT, October 9, 2014

Michael Phillips: Review: 'The Judge' ★★ 1/2

Of the 141 minutes in "The Judge," roughly 70 work well, hold the screen and allow a ripe ensemble cast the chance to do its thing, i.e., act. The other 71 are dominated by narrative machinery going ka-THUNKITA-thunkita-thunkita. This is the same sound a clothes dryer makes when a half-dozen John Grisham hardcovers are tossed in with an iron-plated movie star and 30 pounds of rocks.

Review: 'Pride' ★★★

10:55 AM EDT, October 9, 2014

Michael Phillips: Review: 'Pride' ★★★

Now that folks can get gay-married in Wisconsin and Indiana, it's safe to say a genial, fact-based British heart-warmer such as "Pride" can enter the U.S. marketplace without threatening the stability of the republic.

Review: 'The Guest' ★★ 1/2

4:41 PM EDT, September 16, 2014

Michael Phillips: Review: 'The Guest' ★★ 1/2

A pretty crafty genre pastiche until it stalls, director Adam Wingard's "The Guest" introduces its title character after he knocks on the front door of a small-town New Mexico family that recently lost their older son in the Iraq War. Door opens, a man's head is turned away from the camera …

Review: 'Dracula Untold' ★★

9:30 PM EDT, September 30, 2014

Review: 'Dracula Untold' ★★

September 30, 2014

Michael Phillips: Review: 'Gone Girl' ★★★ 1/2

David Fincher's film version of the Gillian Flynn bestseller "Gone Girl" is a stealthy, snake-like achievement. It's everything the book was and more — more, certainly, in its sinister, brackish atmosphere dominated by mustard-yellow fluorescence, designed to make you squint, recoil and then lean in a little closer.

Review: 'Annabelle' ★★ 1/2

10:52 AM EDT, October 2, 2014

Michael Phillips: Review: 'Annabelle' ★★ 1/2

The devil-doll lark "Annabelle" exists to make its host movie, last year's excellent "The Conjuring," look even better by comparison. As prequels go, it's not bad, though a couple of things keeping it from amounting to more are worth discussing, briefly, before we all get back to our lives.

Review: 'Left Behind' 0 stars

11:23 AM EDT, October 2, 2014

Michael Phillips: Review: 'Left Behind' 0 stars

And away we go! A little traveling music, please, for the Rapture, the special guest star of "Left Behind," starring a sadly becalmed Nicolas Cage as a married airline pilot whose unconsummated lust for a cheap harlot of a flight attendant, played by Nicky Whelan, is enough to bring on God's wrath, the end of days and a cycle of protracted calamity, starting with the film itself.

Review: 'Hector and the Search for Happiness' ★★

2:09 PM EDT, September 25, 2014

Review: 'Hector and the Search for Happiness' ★★

In "Hector and the Search for Happiness," a bedtime story for the eternal man-child, Simon Pegg plays a psychiatrist who lives in a world of WASP male privilege yet remains dissatisfied with his existence.

Review: 'The Boxtrolls' ★★

1:32 PM EDT, September 25, 2014

Michael Phillips: Review: 'The Boxtrolls' ★★

Fans of "Coraline" and "ParaNorman," the deft, eccentric supernatural fairy tales created by Oregon-based Laika animation house, have every reason to anticipate "The Boxtrolls." Laika's latest feature is based on Alan Snow's 2005 book "Here Be Monsters!" part one of "The Ratbridge Chronicles." For the film's purposes, the mythical hilltop town of Ratbridge has changed its name to Cheesebridge.

Review: 'The Equalizer' ★★

1:10 PM EDT, September 25, 2014

Michael Phillips: Review: 'The Equalizer' ★★

Based loosely on the 1985-1989 television series, on which Edward Woodward never stuck garden shears in an enemy's throat and never, ever stabbed anyone through the neck with a corkscrew, "The Equalizer" smells like a hit. But I wish it had one completely honest scene, where (for example) someone asks the avenging angel-hero: "Who are you?" And he answers: "I'm Denzel Washington. And Denzel Washington can make even this thing watchable."

Review: 'The Skeleton Twins' ★★ 1/2

4:39 PM EDT, September 10, 2014

Michael Phillips: Review: 'The Skeleton Twins' ★★ 1/2

Some weeks at the movies are like this. You settle for wonderful actors doing some wonderful acting with scripts that support those efforts even as they limit them.

'Field of Lost Shoes' is a sentimental look at Civil War battle

4:19 PM EDT, September 24, 2014

‘Field of Lost Shoes’ ✭✭

'Field of Lost Shoes' is a sentimental look at Civil War battle

They marched into battle — teenagers and younger — in parade order, and charged the enemy like the schoolboys they were. And when the smoke had cleared, there were shoes — sucked off their feet in the mud, torn from bodies yanked by cannonballs, Minie balls and bayonets.

Review: 'The Maze Runner' ★★★

10:35 AM EDT, September 18, 2014

Michael Phillips: Review: 'The Maze Runner' ★★★

Forever indebted to H.G. Wells, William Golding and other cranky visionaries, the hardy, cockroach-like "Hunger Games"/"Divergent" genre has a nickname: "dyslit," after the dystopian best-sellers in which young adult protagonists must prove their physical and mental prowess and lead the revolution to save what's left of their crummy old world.

Review: 'The Notebook' ★★

11:39 AM EDT, September 18, 2014

Review: 'The Notebook' ★★

Based on the international bestseller by Agota Kristof, "The Notebook" represented Hungary in the Academy Awards' foreign-language film competition but failed to garner a nomination.

Review: 'This is Where I Leave You' ★★ 1/2

11:21 AM EDT, September 18, 2014

Michael Phillips: Review: 'This is Where I Leave You' ★★ 1/2

Going by the new ensemble comedy "This Is Where I Leave You," you'd think Tina Fey was a medium acting talent at best, prone to overstatement and eye-rolling. Performers can't do it alone; they need guidance. But in the movies, very often performers end up doing solo acts in proximity to other solo acts, and the camera's either in the wrong place or the director and the editor hack up simple two-person conversations into frantic, competing moments.

Review: 'Tusk' ★★

10:49 AM EDT, September 18, 2014

Michael Phillips: Review: 'Tusk' ★★

Civilians and critics alike, a lot of them, loved "Tusk" in Toronto, where it played the Midnight Madness sidebar of the international film festival earlier this month. And it's fun to have writer-director Kevin Smith, of "Clerks" and "Dogma," whose filmmaking star has fallen while his podcasting prowess has risen, once again at the center of a debate or two.

Review: 'My Old Lady' ★★

12:36 PM EDT, September 18, 2014

Review: 'My Old Lady' ★★

You can't complain about the cast in "My Old Lady" — Kevin Kline, Maggie Smith and Kristin Scott Thomas going at one another in high style — and the setting of Paris at its most atmospheric is charm itself. The film in question, however, doesn't live up to the expectations its elements create.

Review: 'Life After Beth' ★★

11:38 AM EDT, September 4, 2014

Michael Phillips: Review: 'Life After Beth' ★★

Aubrey Plaza is so deadpan she's undeadpan, and not just in her new zombie movie. Playing April, Indiana's snarkiest state employee on "Parks and Recreation," the actress who'd be most likely mistaken for the MTV animated show goddess "Daria" slings so many bizarrely timed and unpredictable line readings at her skillful cohorts, with such straight-faced topspin, sometimes you don't know if you're in the company of an actress's extraordinarily practiced shtick or some kind of genius.

Review: 'The Disappearance of Eleanor Rigby' ★★

10:55 AM EDT, September 18, 2014

Michael Phillips: Review: 'The Disappearance of Eleanor Rigby' ★★

Films aren't so much born as worried into existence, and with some films the worrying — the concern that the audience won't get it, or get out for it, or make the required time commitment — never stops.

Review: 'The Last of Robin Hood' ★★

11:42 AM EDT, September 4, 2014

Michael Phillips: Review: 'The Last of Robin Hood' ★★

"The Last of Robin Hood" is the latest film starring the dashing Kevin Kline. It's also the latest of Kline's period pictures that wastes no time in dashing your expectations.

Review: 'Alive Inside' ★★&#9733

11:09 AM EDT, August 7, 2014

Review: 'Alive Inside' ★★★

Think of them as Lazarus moments.

Review: 'The Identical' ★

September 4, 2014

Michael Phillips: Review: 'The Identical' ★

There are moments in any bad movie when an actor, conveying a character's anguish or disdain, suddenly appears to be critiquing the movie itself and expressing the actor's internal struggle with the material. Such is the case with Ray Liotta in the not-good new film "The Identical," which only an Elvis impersonator (sorry, "tribute artist") could love.

Review: 'Land Ho!' ★★&#9733

10:44 AM EDT, August 21, 2014

Michael Phillips: Review: 'Land Ho!' ★★★

As long as this planet provides the roads, real and metaphoric, and the pals, the road-trip buddy movie may well outlive the movies themselves.

Review: 'Calvary' ★★&#9733

10:40 AM EDT, August 7, 2014

Michael Phillips: Review: 'Calvary' ★★★

Scene: a confessional, somewhere in Ireland. The camera stays on Father James while an unseen male, the victim of clergy abuse long ago, speaks in seething tones about having "tasted semen" at a terrifyingly young age. Well, says the momentarily stunned priest. "Certainly a startling opening line."

Review: 'Sin City: A Dame to Kill For' ★&#9733

1:15 PM EDT, August 21, 2014

Michael Phillips: Review: 'Sin City: A Dame to Kill For' ★★

I'm not sure what mood I'd have to be in to truly enjoy "Sin City: A Dame to Kill For." But I'm not in it.

Review: 'If I Stay' ★★&#9733

1:15 PM EDT, August 21, 2014

Michael Phillips: Review: 'If I Stay' ★★★

Artfully assaultive, "If I Stay" is better than average young adult material, cleverly adapted from Gayle Forman's 2009 novel about a teenage cellist experiencing true love, a terrible car crash and magical realism for the first time.

Review: 'The Giver' ★★

5:31 PM EDT, August 13, 2014

Michael Phillips: Review: 'The Giver' ★★

At this point in the dystopian movie cycle, I'm ready for a story about a teenager with zero interest in questioning the system, let alone starting a revolution. A spineless conformist — that's what the genre needs.

Review: 'What If' ★&#9733

11:02 AM EDT, August 7, 2014

Michael Phillips: Review: 'What If' ★★

"What If" brings up the distinctions among wit, jokes and robotic banter, and this new romantic comedy has a bit of the first and a few of the second, but it's largely a case of the third.

Review: 'Let's Be Cops' &#9733 1/2

August 12, 2014

Review: 'Let's Be Cops' ★ 1/2

The laughs are loud, lewd and low in "Let's Be Cops," a spoof of cop "buddy pictures" that is pretty much the definition of an August comedy.

Review: 'Teenage Mutant Ninja Turtles' ★&#9733

10:39 AM EDT, August 7, 2014

Review: 'Teenage Mutant Ninja Turtles' ★★

The "Teenage Mutant Ninja Turtles" franchise earns a Michael Bay-produced 3-D reboot that spares no expense in special effects and spares no decibels in the volume that is the soundtrack to all their new mayhem.

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