Skip to content

Breaking News

Top editor of National Enquirer, Us Weekly accused of sexual misconduct

  • Nick Cave has been singing about mortality for decades, and...

    Carl Court / Getty-AFP

    Nick Cave has been singing about mortality for decades, and he's really good at it. Whether the narratives are biblical or pulpy, the victims innocents or death row convicts, the circumstances comprehensible or cruelly random, Cave's songs are on intimate terms with the infinite ways a life can be extinguished. And yet, "Skeleton Tree", his latest album with his estimable band, the Bad Seeds, is a relatively concise song cycle shadowed by death that feels different than all the rest. Read the full review.

  • On "22, A Million," Justin Vernon reimagines his music from...

    AP

    On "22, A Million," Justin Vernon reimagines his music from the bottom up by letting technology — synthesizers, treated vocals, electronic sound effects — dictate. The songs retain their melancholy cast, but now must fight for air beneath static and noise. Read the full review.

  • The new album embraces her individuality more explicitly than ever,...

    Jean-Baptiste Lacroix, AFP/Getty Images

    The new album embraces her individuality more explicitly than ever, both more autobiographical and more politically and socially direct than anything she'd recorded previously. It's a rawer, less elaborate work than its predecessors, yet still hugely ambitious. Read the review

  • Kendrick Lamar's "Untitled, Unmastered" is presented as an unfinished work,...

    Matt Sayles/Invision/AP

    Kendrick Lamar's "Untitled, Unmastered" is presented as an unfinished work, though it rarely sounds like one. Read the review.

  • "Lemonade" is more than just a play for pop supremacy....

    Lawrence K. Ho / Los Angeles Times

    "Lemonade" is more than just a play for pop supremacy. It's the work of an artist who is trying to get to know herself better, for better or worse, and letting the listeners/viewers in on the sometimes brutal self-interrogation. Read the full review.

  • On her seventh studio album, "Golden Hour" (MCA Nashville), the...

    John Konstantaras / Chicago Tribune

    On her seventh studio album, "Golden Hour" (MCA Nashville), the singer-songwriter doesn't get hung up on genre. She's made a style-hopping pop album that infuses her songs with a relaxed spaciousness while muting, but not ignoring, her country roots. Read the review

  • Now "Schmilco" (dBpm Records) arrives, a product of the same...

    Nuccio DiNuzzo/Chicago Tribune

    Now "Schmilco" (dBpm Records) arrives, a product of the same recording sessions that produced "Star Wars" but a much different album. Though it's ostensibly quieter and less jarring than its predecessor, it presents its own radical take on the song-based, folk and country-tinged side of the band. Read the full review.

  • "Blonde" is a critique of materialism with Frank Ocean employing...

    Jordan Strauss / AP

    "Blonde" is a critique of materialism with Frank Ocean employing two distinct voices, like characters in a play, a recurring theme throughout the album and perhaps its finest sonic achievement. A party spirals out of control, the music rich but low key, a melange of organ and hovering synthesizers. Ocean uses distorting devices on his voice to add emotional texture and to enhance and sharpen the characters he briefly embodies. The upshot: They're all little slices of Ocean's personality with a role to play and they each sound distinct. Read the full review.

  • Warpaint's unerring feel for gauzy hooks and slinky arrangements germinated...

    Chris Sweda / Chicago Tribune

    Warpaint's unerring feel for gauzy hooks and slinky arrangements germinated over a decade and flourished on the quartet's excellent 2014 self-titled album. But the band has always nudged its arrangements onto the dance floor — subtly on record, more overtly on stage — and "Heads Up" (Rough Trade) gives the group's inner disco ball a few extra spins. Read the review.

  • A grown-up Christopher Robin returns to the Hundred Acre Wood...

    Laurie Sparham / AP

    A grown-up Christopher Robin returns to the Hundred Acre Wood and his best friend Winnie the Pooh. Read the review.

  • Not many albums could survive Ed Sheeran performing reggae, but...

    AP

    Not many albums could survive Ed Sheeran performing reggae, but Pharrell Williams always took chances — not all of them successful — in N.E.R.D.Despite the Sheeran gaffe, "No One Ever Really Dies," the band's first album in seven years, is a typically diverse, trippy ride from the group that established Williams' career as a performer in the early 2000s alongside Chad Hugo and Shay Haley. Read the full review.

  • An Atlanta teenager (Amandla Stenberg) deals with the death of...

    Erika Doss / AP

    An Atlanta teenager (Amandla Stenberg) deals with the death of her friend in "The Hate U Give," director George Tillman Jr.'s fine adaptation of the best-selling young adult novel.  Read the review.

  • Risk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his...

    Tobin Yelland / AP

    Risk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his angst with one of the local LA skateboarding idols, Ray (Na-Kel Smith), in writer-director Jonah Hill's "Mid90s." Read the review.

  • Reunited for a family wedding, former lovers played by Penelope...

    Teresa Isasi / AP

    Reunited for a family wedding, former lovers played by Penelope Cruz and Javier Bardem find themselves embroiled in a kidnapping in "Everybody Knows," directed by Asghar Farhadi. Read the review.

  • "Black America Again" (ARTium/Def Jam) arrives as a one of...

    Nuccio DiNuzzo / Chicago Tribune

    "Black America Again" (ARTium/Def Jam) arrives as a one of the year's most potent protest albums. The album sags midway through with a handful of lightweight love songs, but finishes with some of its most emotionally resounding tracks: the "Glory"-like plea for redemption "Rain" with Legend, the celebration of family that is "Little Chicago Boy," and the staggering "Letter to the Free." Read the review.

  • "Love & Hate" shows Kiwanuka breaking out of that stylistic...

    AP

    "Love & Hate" shows Kiwanuka breaking out of that stylistic box. His core remains intact: a grainy, world-weary voice contemplating troubled times in intimate musical settings. The album announces its more ambitious intentions from the outset, with the trembling strings, episodic piano chords and wordless vocals of the 10-minute "Cold Little Heart." It's a striking, if atypical, approach to reintroducing himself to his audience — a five-minute preamble before Kiwanuka begins to sing. Read the full review.

  • A tropical island boat captain (Matthew McConaughey) and his much-abused...

    Graham Bartholomew / AP

    A tropical island boat captain (Matthew McConaughey) and his much-abused ex-wife (Anne Hathaway) enter a vortex of rough justice and fancy riddles in "Serenity." Read the review.

  • Penniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe)...

    CBS Films/Lily Gavin

    Penniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe) regards his next canvas subject in "At Eternity's Gate," directed by visual artist and filmmaker Julian Schnabel. Read the review.

  • Isabelle Huppert and Chloe Grace Moretz star in the thriller...

    Jonathan Hession / AP

    Isabelle Huppert and Chloe Grace Moretz star in the thriller "Greta." Read the review.

  • Sound often says it all in Drake's world, but "Views"...

    Frank Gunn / The Canadian Press

    Sound often says it all in Drake's world, but "Views" plays in a narrow range. The trademark hovering synths and barely-there percussion edge out most of the hooks, in favor of long fades and enervated tempos that start to drag about halfway through this slow-moving album. Read the review.

  • Elton John (Taron Egerton) lays down a track for his...

    David Appleby / AP

    Elton John (Taron Egerton) lays down a track for his express train to super-stardom in "Rocketman." The musical biopic co-stars Jamie Bell as lyricist Bernie Taupin. Read the review.

  • Childhood friends and uneasy lovers played by Yoo Ah-in (left)...

    WellGo USA

    Childhood friends and uneasy lovers played by Yoo Ah-in (left) and Jeon Jong-seo (center) find their lives disrupted by a mysterious man of means (Steven Yeung, right) in "Burning." Read the review.

  • Vanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John...

    AP

    Vanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John C. Reilly) zip around the web in a mad dash to save Vanellope's arcade game, "Sugar Rush," in this wild sequel to the 2012 "Wreck-It Ralph." Read the review.

  • In contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy...

    Armando L. Sanchez / Chicago Tribune

    In contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy — a bubble-gum snyth-pop album that indulges Gonzalez's love of decades-old TV soundtracks, hair-metal guitar solos and kitschy pop songs. Read the full review.

  • Unburdened by Batman and Superman, the DC Comics realm turns...

    Steve Wilkie / AP

    Unburdened by Batman and Superman, the DC Comics realm turns in a not-bad origin story buoyed by Zachary Levi as the superhero version of 15-year-old Billy Batson (Asher Angel). Read the review.

  • Cystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole...

    Patti Perret/CBS Films

    Cystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole Sprouse) negotiate a tricky mutual attraction in "Five Feet Apart," directed by Justin Baldoni.  Read the review.

  • Stephan James and KiKi Layne play Fonny and Tish, expectant...

    Tatum Mangus / AP

    Stephan James and KiKi Layne play Fonny and Tish, expectant parents in 1970s Harlem in the new James Baldwin adaptation "If Beale Street Could Talk."  Read the review.

  • This image released by Fox Searchlight Films shows Olivia Colman...

    Atsushi Nishijima / AP

    This image released by Fox Searchlight Films shows Olivia Colman in a scene from the film "The Favourite." (Atsushi Nishijima/Fox Searchlight Films via AP)

  • "Everything Now" is a tighter but not better album. The...

    AP

    "Everything Now" is a tighter but not better album. The heavyweight arena anthems of Arcade Fire's 2004 debut, "Funeral," are long gone, replaced by brooding lyrics encased in lighter music. Read the review.

  • "American Dream" is a breakup album of sorts but not...

    Chris Sweda / Chicago Tribune

    "American Dream" is a breakup album of sorts but not in the traditional sense. This is about breakups with youth, the past, and the heroes and villains that populated it. It underlines the notion of breaking up as just a step away from letting go — of friends, family, relevance. Read the review.

  • A high-powered ad agency executive (Tika Sumpter, right) takes in...

    Chip Bergmann / AP

    A high-powered ad agency executive (Tika Sumpter, right) takes in her ex-con sister (Tiffany Haddish, center) in "Nobody's Fool."  Read the review.

  • Washington D.C. power brokers Dick Cheney (Christian Bale) and Lynne...

    Matt Kennedy / AP

    Washington D.C. power brokers Dick Cheney (Christian Bale) and Lynne Cheney have a date with destiny in Adam McKay's "Vice," co-starring Steve Carell as Donald Rumsfeld.  Read the review. Nomainted for: Best Picture, Best Actor for Christian Bale, Best Supporting Actor for Sam Rockwell, Best Supporting Actress for Amy Adams, Best Director for Adam McKay, Best Original Screenplay, Best Film Editing,

  • "Ye" isn't so much a musical statement as a 23-minute,...

    Chris Sweda / Chicago Tribune

    "Ye" isn't so much a musical statement as a 23-minute, seven-track therapy session. Read the review

  • Queen Anne's (Olivia Colman) court wrestles with the question of...

    Atsushi Nishijima / AP

    Queen Anne's (Olivia Colman) court wrestles with the question of how to finance a war with France. Lady Sarah (Rachel Weisz), the Duchess of Marlborough, uses her wits, her body and the queen's bed to coerce Anne into raising taxes on the citizenry in order to keep the off-screen battle going. Then the unexpected arrival of her country cousin, Abigail (Emma Stone), a noblewoman fallen on hard times. A dab hand with medicinal herbs, Abigail quickly rises above servant status to become the queen's new favorite. Game on! Read the review. Nomainted for: Best Picture, Best Actress for Olivia Colman, Best Supporting Actress for Emma Stone and Rachel Weisz, Best Director for Yorgos Lanthimos, Best Original Screenplay, Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design,

  • "Peace Trail" — Neil Young's second album this year and...

    AP

    "Peace Trail" — Neil Young's second album this year and sixth since 2014 — is occasionally fascinating. It's also not very good, a release that surely would've benefited from a bit more time and consideration, which might have given Young's ad hoc band — drummer Jim Keltner and bassist Paul Bushnell — a chance to actually learn the songs. But the four-day recording session sounds like a getting-to-know-you warmup instead of a finished product. Read the full review.

  • Genie (Will Smith, right) explains the three-wishes thing to the...

    Daniel Smith / AP

    Genie (Will Smith, right) explains the three-wishes thing to the title character (Mena Massoud) in Disney's "Aladdin," director Guy Ritchie's live-action remake of the 1992 animated feature. Read the review.

  • On their new album, "Existentialism," the Mekons turn their audience...

    Armando L. Sanchez / Chicago Tribune

    On their new album, "Existentialism," the Mekons turn their audience and the recording space into accomplices for the band's high-wire act. Read the full review.

  • Capping the trilogy started with "Unbreakable" (2000) and the surprise...

    Jessica Kourkounis / AP

    Capping the trilogy started with "Unbreakable" (2000) and the surprise hit "Split (2017), Shymalan's treatise on superhero origin stories brings James McAvoy, Bruce Willis and Samuel L. Jackson together for a plodding psych-hospital escape.  Read the review.

  • The real stars of "Godzilla: King of the Monsters" are...

    AP

    The real stars of "Godzilla: King of the Monsters" are sound designers Erik Aadahl and Ethan Van Der Ryn. Their aural creature designs actually sound like something new — part machine, part prehistoric whatzit.  Read the review.

  • In "First Man," Ryan Gosling reteams with "La La Land"...

    Daniel McFadden / AP

    In "First Man," Ryan Gosling reteams with "La La Land" director Damien Chazelle to relay the story of astronaut Neil Armstrong, the first man on the moon. Read the review.

  • On "Here" (Merge), the band's first album in six years...

    Ross Gilmore / Redferns via Getty Images

    On "Here" (Merge), the band's first album in six years and 10th overall, the front line of Norman Blake, Gerard Love and Raymond McGinley once again trades songs (four each) and lead vocals, over sturdily constructed pop-rock arrangements. But the band has taken some subtle evolutionary turns to where it's now a faint shadow of its "Bandwagonesque" incarnation. Read the review.

  • When Aretha Franklin recorded her bestselling gospel album in early...

    AP

    When Aretha Franklin recorded her bestselling gospel album in early 1972, director Sydney Pollack's camera crew shot many hours of footage, unseen publicly until now. "Amazing Grace" is now in theaters.  Read the review.

  • Kanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like...

    NBC

    Kanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like a work in progress rather than a finished album. It's a mess, more a series of marketing opportunities in which West changed the album title and the track listing multiple times, to the point where the very thing that made West tolerable despite a penchant for tripping over his own ego — the music itself — became anti-climactic. Read the review.

  • Six miles beneath the Pacific Ocean surface, a team of...

    AP

    Six miles beneath the Pacific Ocean surface, a team of oceanographers and experts discover an entire hidden ecosystem laden with species "completely unknown to science." But Meg comes calling, attacking the submersible piloted by the ex-wife (Jessica McNamee) of rescue diver Jonas Taylor (Jason Statham). Read the review.

of

Expand
PUBLISHED: | UPDATED:

The top editor for the National Enquirer, Us Weekly and other major gossip publications openly described his sexual partners in the newsroom, discussed female employees’ sex lives and forced women to watch or listen to pornographic material, former employees told The Associated Press.

The behavior by Dylan Howard, currently the chief content officer of American Media Inc., occurred while he was running the company’s Los Angeles office, according to men and women who worked there. Howard’s self-proclaimed nickname was “Dildo,” a phallus-shaped sex toy, the former employees said. His conduct led to an internal inquiry in 2012 by an outside consultant, and former employees said he stopped working out of the L.A. office after the inquiry.

Howard quit soon after the report was completed, but the company rehired him one year later with a promotion that landed him in the company’s main office in New York. It was not clear whether Howard faced any discipline over the accusations. AP is not aware of any sexual harassment allegations involving Howard since he was rehired.

The AP spoke with 12 former employees who knew about the investigation into Howard’s behavior, though not all were aware of every detail. The outside investigator hired to examine complaints about Howard’s behavior also confirmed to AP that he completed a report.

In a brief phone interview with the AP, Howard characterized the ex-employees’ claims as “baseless.”

A lawyer for American Media confirmed Tuesday that an outside investigator was hired to look into two employees’ claims about Howard’s behavior.

The lawyer, Cam Stracher, said the investigation did not show serious wrongdoing. Stracher confirmed that one employee had complained that Howard said he wanted to create a Facebook account for her vagina, but Stracher said Howard said that never happened.

“It was determined that there was some what you would call as horsing around outside the office, going to bars and things that are not uncommon in the media business,” Stracher said, “but none of it rose to the level of harassment that would require termination.”

American Media publishes the National Enquirer, RadarOnline, Star and other gossip publications and websites. In March the company purchased the glossy Us Weekly magazine for a reported $100 million, significantly boosting its readership among women.

In his job, Howard oversees those newsrooms.

AMI spokesman Jon Hammond described the two employees who had formally complained about Howard’s alleged behavior as “disgruntled.”

“The investigation described an environment where employees mixed socially outside the office — sometimes at bars — but found no direct support for the allegations of harassment made by the two complainants,” Hammond said in an email.

Most of the former employees spoke to the AP on condition of anonymity because they had signed nondisclosure agreements, sometimes as part of severance packages.

Two former employees, one a senior manager and another a reporter in the L.A. office, agreed to be publicly identified to discuss Howard’s behavior.

“The behavior that Dylan displayed and the way he was and the way the company dealt with it — I just think that it has to be made public because it’s completely unacceptable,” said Maxine “Max” Page, a former senior editor at RadarOnline. She complained to the human resources department about Howard’s behavior on behalf of two female reporters.

Howard made inappropriate comments to and about one of those women, Page and six other ex-employees said. Howard told employees in the newsroom he wanted to create a Facebook account on behalf of the woman’s vagina, commented on her sex life and forced her and other female employees to either watch or listen to graphic recordings of sex involving celebrities despite there being no professional rationale for doing so, they said.

A former senior editor recalled Howard wrongly claimed during a newsroom meeting that the woman had had sex with a journalism source and praised her for it, saying she needed to “do what you need” to get a story.

The editor said: “He encouraged her to have sex with people for information.”

The woman Howard was discussing confirmed these and other incidents to the AP but declined to be identified.

Page and four other employees recounted instances in which Howard talked about his own sexual exploits, including descriptions of his partners’ physical attributes.

Stracher, the company lawyer, said no one interviewed by the outside investigator complained about Howard’s handling of pornographic material. Stracher said there was nothing inherently inappropriate about that in the celebrity news business.

Stracher also said no one complained to the investigator about Howard’s alleged encouragement of a reporter to sleep with news sources.

Another former reporter, Liz Crokin, said she was also harassed by Howard, including once when he asked whether she was “going to be walking the streets tonight” on a day she wore heels to work.

Page and Crokin, like many of the other former employees who spoke to AP, were laid off by the company during waves of downsizing at AMI. The others who left the company said they did so by choice.

American Media regularly asked exiting employees to sign nondisclosure agreements that prohibit them from disclosing confidential information or disparaging company executives.

Many of the former employees who described Howard’s behavior said they decided to do so after the New Yorker and other news organizations published emails in recent weeks showing that Howard had worked with movie producer Harvey Weinstein to undermine allegations of sexual misconduct by Weinstein.

The emails showed that Howard had dispatched a reporter to uncover derogatory information about an actress who had accused Weinstein of rape, and then shared that information with Weinstein. Howard has said he pursued the information as part of due diligence before entering into a business relationship with Weinstein. Weinstein, who has denied allegations of non-consensual sex, has maintained he was passing along a news tip to Howard that was never published.

After the 2012 investigation into Howard’s conduct in Los Angeles, two of the ex-employees said they were told by a manager that Howard was barred from the Los Angeles office. The employees said he worked from home after that. Stracher, the company lawyer, said Howard was given no such order to stay away from the office.

Shortly after the report was issued, Howard took a new job with another company.

It’s unclear what the report concluded or whether Howard faced any disciplinary action.

The AP was unable to obtain a copy of the report. Its author, Philip Deming, confirmed he wrote a report but said he could not talk about what he found or the recommendations he made.

Page, the manager whose complaint prompted the company to hire Deming, said she was skeptical the company properly investigated Howard’s behavior.

Deming said he produced a 25- to 35-page report with 18 exhibits, and interviewed between 15 and 20 employees. He declined to describe his findings without AMI’s authorization. Stracher, the company lawyer, declined to release the report.

Deming said he was not aware that American Media re-hired Howard a year after his report.

“I did have recommendations and I don’t know what happened after those recommendations were made,” he said.

Stracher said Howard was “cautioned when he returned that what I would characterize as horsing around was not appropriate.”

Howard openly discussed the investigation with some reporters and editors, one former employee said. A January 2012, email provided to the AP by another former employee said, “There is an investigation going on of my boss right now and it’s made everyone awkward and uncomfortable. You could cut the tension with a knife.”

Crokin, the former reporter, said she believed Howard retaliated against her after Deming interviewed her, taking away serious work and assigning her menial tasks. She was laid off a short time later.

The company lawyer, Stracher, said any employees who witnessed or had concerns about Howard’s behavior should have raised them at that time.

Another ex-employee who was interviewed by Deming recalled being anxious about speaking with the HR consultant.

“I told the investigator I didn’t know anything,” said the former employee, acknowledging that answer was not true. “It’s almost like I had Stockholm syndrome.”

Yet another former employee, who said she was present when Howard showed a handful of reporters pornography that was not newsworthy, said Deming never interviewed her.

Howard, 35, came to the U.S. in 2009, months after being fired from a sports reporting job in Australian television news, following a police investigation about how he had obtained athletes’ medical records. Police did not bring charges against him. He was then hired by Australian broadcaster Craig Hutchison’s CrocMedia to report in the United States.

In a recent podcast, Hutchison praised Howard’s talent but said he quickly parted with Howard under rocky circumstances.

“His methods make me uncomfortable, that’s probably the best way to put it,” Hutchison said.

Howard then began working for American Media Inc. in Los Angeles.

During his time there, Howard blurred the lines between his role as a manager and his personal life, throwing parties in Las Vegas and in Malibu, inviting female reporters to accompany him in the evenings and regularly discussing his late-night partying in the newsroom, six former employees said.

For his 30th birthday party, Howard invited a dozen employees to Las Vegas in January 2012 for an all-expenses-paid, three-day party he dubbed “Dildo’s Dirty 30,” according to a copy of the professionally designed invitation obtained by the AP.

A week later, ex-employees said, Deming, the HR consultant, began conducting interviews.

RELATED STORIES:

John Oliver and Stephen Colbert are asking the awkward questions about sexual misconduct

Danny Masterson exits Netflix’s ‘The Ranch’ amid rape accusations

Russell Simmons steps down from companies following sexual assault allegation

.galleries:after {
content: ”;
display: block;
background-color: #144A7C;
margin: 16px auto 0;
height: 5px;
width: 100px;

}
.galleries:before {
content: “Entertainment Photos and Video”;
display: block;
font: 700 20px Georgia,serif;
text-align: center;
color: #1e1e1e;

var playlist = ‘chi_ent_movie_trailers’,
layout = ‘autoblurb’,
iu = ‘%2F4011%2Ftrb.chicagotribune%2Fent’;

Watch the latest movie trailers.