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The apocalyptic atmosphere of Max Ernst's 1937 oil on cardboard "The Barbarians" may allude to the surrealists' goal of turning European society upside down.
The Metropolitan Museum of Art, New York, Artists Rights Society, New York / ADAGP, Paris
The apocalyptic atmosphere of Max Ernst’s 1937 oil on cardboard “The Barbarians” may allude to the surrealists’ goal of turning European society upside down.
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Click through for a glimpse of the art on display in “Monsters & Myths: Surrealism and War in the 1930s and 1940s” at the Wadsworth Atheneum Oct. 20 to Jan. 13.